emacs/doc/misc/modus-themes.org

Modus themes for GNU Emacs

This manual, written by Protesilaos Stavrou, describes the customization options for the modus-operandi and modus-vivendi themes, and provides every other piece of information pertinent to them.

The documentation furnished herein corresponds to stable version {{{stable-version}}}, released on {{{release-date}}}. Any reference to a newer feature which does not yet form part of the latest tagged commit, is explicitly marked as such.

Current development target is {{{development-version}}}. This manual was built on {{{export-date}}}.

• COPYING
• Overview
  • How do the themes look like
  • Learn about the latest changes
• Installation
  • Install manually from source
  • Install from the archives
  • Install on GNU/Linux
    • Debian 11 Bullseye
    • GNU Guix
• Enable and load
  • Sample configuration for use-package
  • Differences between loading and enabling
• Customization Options
  • Option for color-coding success state (deuteranopia)
  • Option for more bold constructs
  • Option for more slanted constructs
  • Option for syntax highlighting
  • Option for no font mixing
  • Option for links
  • Option for command prompt styles
  • Option for mode line presentation
  • Option for completion framework aesthetics
  • Option for mail citations
  • Option for fringe visibility
  • Option for language checkers
  • Option for line highlighting (hl-line-mode)
  • Option for line numbers (display-line-numbers-mode)
  • Option for parenthesis matching (show-paren-mode)
  • Option for active region
  • Option for diff buffer looks
  • Option for org-mode block styles
  • Option for org-habit graph styles
  • Option for the headings' overall style
  • Option for scaled headings
    • Control the scale of headings
  • Option for variable-pitch font in UI elements
  • Option for variable-pitch font in headings
• Advanced customization (do-it-yourself)
  • Per-theme customization settings (DIY)
  • Case-by-case face specs using the themes' palette (DIY)
  • Face specs at scale using the themes' palette (DIY)
  • Remap face with local value (DIY)
  • Cycle through arbitrary colors (DIY)
  • Override colors (DIY)
  • Override color saturation (DIY)
  • Font configurations for Org and others (DIY)
  • Custom Org user faces (DIY)
  • Update Org block delimiter fontification (DIY)
  • Measure color contrast (DIY)
  • Load theme depending on time of day (DIY)
  • Backdrop for pdf-tools (DIY)
  • A theme-agnostic hook for theme loading (DIY)
• Face coverage
  • Full support for packages or face groups
  • Indirectly covered packages
• Notes on individual packages
  • Note on inline Latex in Org buffers
  • Note on dimmer.el
  • Note on display-fill-column-indicator-mode
  • Note on mmm-mode.el background colors
  • Note on prism.el
  • Note on god-mode.el
  • Note on company-mode overlay pop-up
  • Note on ERC escaped color sequences
  • Note on powerline or spaceline
  • Note on SHR colors
  • Note on EWW and Elfeed fonts (SHR fonts)
  • Note on Helm grep
  • Note on vc-annotate-background-mode
  • Note on pdf-tools link hints
• Frequently Asked Questions (FAQ)
  • Is the contrast ratio about adjacent colors?
  • What does it mean to avoid exaggerations?
  • Why are colors mostly variants of blue, magenta, cyan?
  • What is the best setup for legibility?
• Contributing
  • Sources of the themes
  • Issues you can help with
  • Patches require copyright assignment to the FSF
• Acknowledgements
• Meta
• GNU Free Documentation License
• Indices
  • Function index
  • Variable index
  • Concept index

COPYING

Copyright (C) 2020-2021 Free Software Foundation, Inc.

Permission is granted to copy, distribute and/or modify this document under the terms of the GNU Free Documentation License, Version 1.3 or any later version published by the Free Software Foundation; with no Invariant Sections, with the Front-Cover Texts being “A GNU Manual,” and with the Back-Cover Texts as in (a) below. A copy of the license is included in the section entitled “GNU Free Documentation License.”

(a) The FSF’s Back-Cover Text is: “You have the freedom to copy and modify this GNU manual.”

Overview

The Modus themes are designed for accessible readability. They conform with the highest standard for color contrast between any given combination of background and foreground values. This corresponds to the WCAG AAA standard, which specifies a minimum rate of distance in relative luminance of 7:1.

Modus Operandi (modus-operandi) is a light theme, while Modus Vivendi (modus-vivendi) is dark. Each theme's color palette is designed to meet the needs of the numerous interfaces that are possible in the Emacs computing environment.

The overarching objective of this project is to always offer accessible color combinations. There shall never be a compromise on this principle. If there arises an inescapable trade-off between readability and stylistic considerations, we will always opt for the former.

To ensure that users have a consistently accessible experience, the themes strive to achieve as close to full face coverage as possible (Face coverage).

Furthermore, the themes are designed to empower users with red-green color deficiency (deuteranopia). This is achieved through customization options which have the effect of replacing all relevant instances of green with a variant of blue (Customization Options).

Starting with version 0.12.0 and onwards, the themes are built into GNU Emacs.

How do the themes look like

Check the web page with the screen shots. There are lots of scenarios on display that draw attention to details and important aspects in the design of the themes. They also showcase the numerous customization options.

Customization options.

Learn about the latest changes

Please refer to the web page with the change log. It is comprehensive and covers everything that goes into every tagged release of the themes.

Installation

The Modus themes are distributed with Emacs starting with version 28.1. On older versions of Emacs, they can be installed using Emacs' package manager or manually from their code repository. There also exist packages for distributions of GNU/Linux.

Install manually from source

In the following example, we are assuming that your Emacs files are stored in ~/.emacs.d and that you want to place the Modus themes in ~/.emacs.d/modus-themes.

1. Get the source and store it in the desired path by running the following in the command line shell:

$ git clone https://gitlab.com/protesilaos/modus-themes.git ~/.emacs.d/modus-themes

1. Add that path to your known Elisp libraries' list, by placing this snippet of Emacs Lisp in your init file (e.g.

   init.el

   ):

(add-to-list 'load-path "~/.emacs.d/modus-themes")

The themes are now ready to be used: Enable and load.

Install from the archives

The modus-themes package is available from the GNU ELPA archive, which is configured by default.

Prior to querying any package archive, make sure to have updated the index, with

M-x package-refresh-contents

. Then all you need to do is type

M-x package-install

and specify the modus-themes.

Note that older versions of the themes used to be distributed as standalone packages. This practice has been discontinued starting with version 1.0.0 of this project.

Once installed, the themes are ready to be used: Enable and load.

Install on GNU/Linux

The themes are also available from the archives of some distributions of GNU/Linux. These should correspond to a tagged release rather than building directly from the latest Git commit. It all depends on the distro's packaging policies.

Debian 11 Bullseye

The themes are part of Debian 11 Bullseye. Get them with:

sudo apt install elpa-modus-themes

They are now ready to be used: Enable and load.

GNU Guix

Users of Guix can get the themes with this command:

guix package -i emacs-modus-themes

They are now ready to be used: Enable and load.

Enable and load

Users of the built-in themes can load and automatically enable the theme of their preference by adding either form to their init file:

(load-theme 'modus-operandi)            ; Light theme
(load-theme 'modus-vivendi)             ; Dark theme

This is all one needs.

Users of packaged variants of the themes must add a few more lines to ensure that everything works as intended. First, one has to require the main library before loading either theme:

(require 'modus-themes)

Then it is recommended to load the individual theme files with the helper function modus-themes-load-themes:

;; Load the theme files before enabling a theme (else you get an error).
(modus-themes-load-themes)

Once the libraries that define the themes are enabled, one can activate a theme with either of the following expressions:

(modus-themes-load-operandi)            ; Light theme
;; OR
(modus-themes-load-vivendi)             ; Dark theme

Changes to the available customization options must always be evaluated before loading a theme (Customization Options). This is how a basic setup could look like:

(require 'modus-themes)

;; Your customisations here.  For example:
(setq modus-themes-bold-constructs t
      modus-themes-mode-line '3d)

;; Load the theme files before enabling a theme (else you get an error).
(modus-themes-load-themes)

;; Enable the theme of your preference:
(modus-themes-load-operandi)

;; Optionally add a key binding for the toggle between the themes:
(define-key global-map (kbd "<f5>") #'modus-themes-toggle)

Sample configuration for use-package.

With those granted, bear in mind a couple of technical points on modus-themes-load-operandi and modus-themes-load-vivendi, as well as modus-themes-toggle which relies on them:

1. Those functions call load-theme. Some users prefer to opt for enable-theme instead (Differences between loading and enabling).
2. The functions will run the modus-themes-after-load-theme-hook as their final step. This can be employed for bespoke configurations (Advanced customization (do-it-yourself)). Experienced users may not wish to rely on such a hook and the functions that run it: they may prefer a custom solution (A theme-agnostic hook for theme loading).

Sample configuration for use-package

It is common for Emacs users to rely on use-package for declaring package configurations in their setup. We use this as an example:

(use-package modus-themes
  :ensure                         ; omit this to use the built-in themes
  :init
  ;; Add all your customizations prior to loading the themes
  (setq modus-themes-slanted-constructs t
        modus-themes-bold-constructs nil
        modus-themes-region 'no-extend)

  ;; Load the theme files before enabling a theme (else you get an error).
  (modus-themes-load-themes)
  :config
  ;; Load the theme of your choice:
  (modus-themes-load-operandi) ;; OR (modus-themes-load-vivendi)
  :bind ("<f5>" . modus-themes-toggle))

Differences between loading and enabling.

Note: make sure not to customize the variable custom-theme-load-path or custom-theme-directory after the themes' package declaration. That will lead to failures in loading the files. If either or both of those variables need to be changed, their values should be defined before the package declaration of the themes.

Differences between loading and enabling

The reason we recommend load-theme instead of the other option of enable-theme is that the former does a kind of "reset" on the face specs. It quite literally loads (or re-loads) the theme. Whereas the latter simply puts an already loaded theme at the top of the list of enabled items, re-using whatever state was last loaded.

As such, load-theme reads all customizations that may happen during any given Emacs session: even after the initial setup of a theme. Examples are calls to custom-set-faces, as well as new values assigned to the options the Modus themes provide (Customization Options).

Our tests show that enable-theme does not read such variables anew, so it might appear to the unsuspecting user that the themes are somehow broken whenever they try to assign a new value to a customization option or some face.

This "reset" that load-theme conducts does, however, come at the cost of being somewhat slower than enable-theme. Users who have a stable setup and who seldom update their variables during a given Emacs session, are better off using something like this:

(require 'modus-themes)
(load-theme 'modus-operandi t t)
(load-theme 'modus-vivendi t t)

(enable-theme 'modus-operandi) ;; OR (enable-theme 'modus-vivendi)

Sample configuration for use-package.

With the above granted, other sections of the manual discuss how to configure custom faces, where load-theme is expected, though enable-theme could still apply in stable setups:

Case-by-case face specs using the themes' palette.

Face specs at scale using the themes' palette.

Customization Options

The Modus themes are highly configurable, though they should work well without any further tweaks. By default, all customization options are set to nil.

Remember that all customization options must be evaluated before loading a theme (Enable and load).

Below is a summary of what you will learn in the subsequent sections of this manual.

(setq modus-themes-slanted-constructs t
      modus-themes-bold-constructs nil
      modus-themes-no-mixed-fonts nil
      modus-themes-subtle-line-numbers nil
      modus-themes-success-deuteranopia t

      modus-themes-fringes nil ; {nil,'subtle,'intense}

      ;; Options for `modus-themes-lang-checkers': nil,
      ;; 'straight-underline, 'subtle-foreground,
      ;; 'subtle-foreground-straight-underline, 'intense-foreground,
      ;; 'intense-foreground-straight-underline, 'colored-background
      modus-themes-lang-checkers nil

      ;; Options for `modus-themes-mode-line': nil, '3d, 'moody,
      ;; 'borderless, 'borderless-3d, 'borderless-moody, 'accented,
      ;; 'accented-3d, 'accented-moody, 'borderless-accented,
      ;; 'borderless-accented-3d, 'borderless-accented-moody
      modus-themes-mode-line '3d

      ;; Options for `modus-themes-syntax': nil, 'faint,
      ;; 'yellow-comments, 'green-strings,
      ;; 'yellow-comments-green-strings, 'alt-syntax,
      ;; 'alt-syntax-yellow-comments, 'faint-yellow-comments
      modus-themes-syntax nil

      ;; Options for `modus-themes-hl-line': nil, 'intense-background,
      ;; 'accented-background, 'underline-neutral,
      ;; 'underline-accented, 'underline-only-neutral,
      ;; 'underline-only-accented
      modus-themes-hl-line 'underline-neutral

      modus-themes-paren-match 'subtle-bold ; {nil,'subtle-bold,'intense,'intense-bold}

      ;; Options for `modus-themes-links': nil, 'faint,
      ;; 'neutral-underline, 'faint-neutral-underline, 'no-underline,
      ;; 'underline-only, 'neutral-underline-only
      modus-themes-links 'neutral-underline

      ;; Options for `modus-themes-prompts': nil, 'subtle-accented,
      ;; 'intense-accented, 'subtle-gray, 'intense-gray
      modus-themes-prompts 'subtle-gray

      modus-themes-completions 'moderate ; {nil,'moderate,'opinionated}

      modus-themes-mail-citations nil ; {nil,'faint,'monochrome}

      ;; Options for `modus-themes-region': nil, 'no-extend, 'bg-only,
      ;; 'bg-only-no-extend, 'accent, 'accent-no-extend
      modus-themes-region 'bg-only-no-extend

      ;; Options for `modus-themes-diffs': nil, 'desaturated,
      ;; 'bg-only, 'deuteranopia, 'fg-only-deuteranopia
      modus-themes-diffs 'fg-only-deuteranopia

      modus-themes-org-blocks 'gray-background ; {nil,'gray-background,'tinted-background}
      modus-themes-org-habit nil ; {nil,'simplified,'traffic-light}

      modus-themes-headings ; this is an alist: read the manual or its doc string
      '((1 . line)
        (2 . rainbow-line-no-bold)
        (t . no-bold))

      modus-themes-variable-pitch-ui nil
      modus-themes-variable-pitch-headings t
      modus-themes-scale-headings t
      modus-themes-scale-1 1.1
      modus-themes-scale-2 1.15
      modus-themes-scale-3 1.21
      modus-themes-scale-4 1.27
      modus-themes-scale-5 1.33)

Option for color-coding success state (deuteranopia)

Symbol: modus-themes-success-deuteranopia

Possible values:

1. nil (default)
2. t

The default is to colorise all faces that denote "success", "done", or similar with a variant of green.

With a non-nil value (t), use variants of blue instead of green. This is meant to empower users with red-green color deficiency.

The present customization option should apply to all contexts where there can be a color-coded distinction between success and failure, to-do and done, and so on.

Diffs, which have a red/green dichotomy by default, can also be configured to conform with deuteranopia.

Option for diff buffer looks.

Option for more bold constructs

Symbol: modus-themes-bold-constructs

Possible values:

1. nil (default)
2. t

The default is to use a bold typographic weight only when it is required.

With a non-nil value (t) display several syntactic constructs in bold weight. This concerns keywords and other important aspects of code syntax. It also affects certain mode line indicators and command-line prompts.

Option for more slanted constructs

Symbol: modus-themes-slanted-constructs

Possible values:

1. nil (default)
2. t

The default is to not use slanted text (italics) unless it is absolutely necessary.

With a non-nil value (t) choose to render more faces in slanted text. This typically affects documentation strings and code comments.

Option for syntax highlighting

Symbol: modus-themes-syntax

Possible values:

1. nil (default)
2. faint
3. yellow-comments
4. green-strings
5. yellow-comments-green-strings
6. alt-syntax
7. alt-syntax-yellow-comments
8. faint-yellow-comments

The default style (nil) for code syntax highlighting is a balanced combination of colors on the cyan-blue-magenta side of the spectrum. There is little to no use of greens, yellows, or reds, except when it is necessary.

Option faint is like the default in terms of the choice of palette but applies desaturated color values.

Option yellow-comments adds a yellow tint to comments. The rest of the syntax is the same as the default.

Option green-strings replaces the blue/cyan/cold color variants in strings with greener alternatives. The rest of the syntax remains the same.

Option yellow-comments-green-strings combines yellow comments with green strings and the rest of the default syntax highlighting style.

Option alt-syntax expands the active spectrum by applying color combinations with more contrasting hues between them. Expect to find red and green variants in addition to cyan, blue, magenta.

Option alt-syntax-yellow-comments combines alt-syntax with yellow-comments.

Option faint-yellow-comments combines the faint style with yellow-comments.

Option for no font mixing

Symbol: modus-themes-no-mixed-fonts

Possible values:

1. nil (default)
2. t

By default, the themes configure some spacing-sensitive faces like Org tables and code blocks to always inherit from the fixed-pitch face. This is to ensure that those constructs remain monospaced even when users opt for a mode that remaps typeface families, such as the built-in

M-x variable-pitch-mode

. Otherwise the layout would appear broken, due to how spacing is done. To disable this behaviour, set the option to t.

Users may prefer to use another package for handling mixed typeface configurations, rather than letting the theme do it, perhaps because a purpose-specific package has extra functionality. Two possible options are org-variable-pitch and mixed-pitch.

Font configurations for Org and others.

Option for links

Symbol: modus-themes-links

Possible values:

1. nil (default)
2. faint
3. neutral-underline
4. faint-neutral-underline
5. no-underline
6. underline-only
7. neutral-underline-only

The default style (nil) for links is to apply an underline and a saturated color to the affected text. The color of the two is the same, which makes the link fairly prominent.

Option faint follows the same approach as the default, but uses less intense colors.

Option neutral-underline changes the underline's color to a subtle gray, while retaining the default text color.

Option faint-neutral-underline combines a desaturated text color with a subtle gray underline.

Option no-underline removes link underlines altogether, while retaining their original fairly vivid color.

Option underline-only applies a prominent underline while making the affected text colorless (it uses the same foreground as the theme's default).

Option neutral-underline-only makes the text colorless while using a subtle gray underline below it.

NOTE: The placement of the underline, i.e. its proximity to the affected text, is controlled by the built-in x-underline-at-descent-line, x-use-underline-position-properties, underline-minimum-offset. Please refer to their documentation strings.

Option for command prompt styles

Symbol: modus-themes-prompts

Possible values:

1. nil (default)
2. subtle-accented (subtle exists for backward compatibility)
3. intense-accented (intense exists for backward compatibility)
4. subtle-gray
5. intense-gray

The default does not use any background for minibuffer and command line prompts. It relies exclusively on an accented foreground color.

Options subtle-accented and intense-accented will change both the background and the foreground values to use accented color combinations that follow the hue of the default styles' foreground (e.g. the default minibuffer prompt is cyan text, so these combinations will involved a cyan background and an appropriate cyan foreground). The difference between the two is that the latter has a more pronounced/noticeable effect than the former.

Options subtle-gray, intense-gray are like their accented counterparts, except they use grayscale values.

Option for mode line presentation

Symbol: modus-themes-mode-line

Possible values:

1. nil (default)
2. 3d
3. moody
4. borderless
5. borderless-3d
6. borderless-moody
7. accented
8. accented-3d
9. accented-moody
10. borderless-accented
11. borderless-accented-3d
12. borderless-accented-moody

The default produces a two-dimensional effect both for the active and inactive mode lines. The differences between the two are limited to distinct shades of grayscale values, with the active being more intense than the inactive.

Option 3d will make the active mode line look like a three-dimensional rectangle. Inactive mode lines remain 2D, though they are slightly toned down relative to the default. This aesthetic is virtually the same as what you get when you run Emacs without any customizations (emacs -Q on the command line).

While moody removes all box effects from the mode lines and applies underline and overline properties instead. It also tones down a bit the inactive mode lines. This is meant to optimize things for use with the moody package (hereinafter referred to as "Moody"), though it can work fine even without it.

The borderless option uses the same colors as the default (nil value), but removes the border effect. This is done by making the box property use the same color as the background, effectively blending the two and creating some padding.

The borderless-3d and borderless-moody approximate the 3d and moody options respectively, while removing the borders. However, to ensure that the inactive mode lines remain visible, they apply a slightly more prominent background to them than what their counterparts do (same inactive background as with the default).

Similarly, accented, accented-3d, and accented-moody correspond to the default (nil), 3d, and moody styles respectively, except that the active mode line uses a colored background instead of the standard shade of gray.

Same principle for borderless-accented, borderless-accented-3d, and borderless-accented-moody which use a colored background for the active mode line and have no discernible borders around both the active and inactive the mode lines.

Note that Moody does not expose any faces that the themes could style directly. Instead it re-purposes existing ones to render its tabs and ribbons. As such, there may be cases where the contrast ratio falls below the 7:1 target that the themes conform with (WCAG AAA). To hedge against this, we configure a fallback foreground for the moody option, which will come into effect when the background of the mode line changes to something less accessible, such as Moody ribbons (read the doc string of set-face-attribute, specifically :distant-foreground). This fallback is activated when Emacs determines that the background and foreground of the given construct are too close to each other in terms of color distance. In effect, users would need to experiment with the variable face-near-same-color-threshold to trigger the effect. We find that a value of 45000 will suffice, contrary to the default 30000. Though for the accented-moody value mentioned above, that should be raised up to 70000. Do not set it too high, because it has the adverse effect of always overriding the default colors (which have been carefully designed to be highly accessible).

Furthermore, because Moody expects an underline and overline instead of a box style, it is advised you include this in your setup:

(setq x-underline-at-descent-line t)

Option for completion framework aesthetics

Symbol: modus-themes-completions

Possible values:

1. nil (default)
2. moderate
3. opinionated

This is a special option that has different effects depending on the completion UI. The interfaces can be grouped in two categories, based on their default aesthetics: (i) those that only or mostly use foreground colors for their interaction model, and (ii) those that combine background and foreground values for some of their metaphors. The former category encompasses Icomplete, Ido, Selectrum, Vertico, as well as pattern matching styles like Orderless and Flx. The latter covers Helm, Ivy, and Sallet.

A value of nil (the default) will simply respect the metaphors of each completion framework.

Option moderate applies a combination of background and foreground that is fairly subtle. For Icomplete and friends this constitutes a departure from their default aesthetics, however the difference is small. While Helm, Ivy et al appear slightly different than their original looks, as they are toned down a bit.

Option opinionated uses color combinations that refashion the completion UI. For the Icomplete camp this means that intense background and foreground combinations are used: in effect their looks emulate those of Helm, Ivy and co. in their original style. Whereas the other group of packages will revert to an even more nuanced aesthetic with some additional changes to the choice of hues.

To appreciate the scope of this customization option, you should spend some time with every one of the nil (default), moderate, and opinionated possibilities.

Option for mail citations

Symbol: modus-themes-mail-citations

Possible values:

1. nil (default)
2. faint
3. monochrome

By default, citations in email-related buffers apply contrasting hues to different levels of depth in cited text. The colors are fairly easy to tell apart.

A value of faint makes all citation levels less intense, while retaining the default style of contrasting hues (albeit very subtle ones).

Option monochrome turns all citations in to a uniform shade of gray.

Whatever the value assigned to this variable, citations in emails are controlled by typographic elements or indentation, which the themes do not touch.

Option for fringe visibility

Symbol: modus-themes-fringes

Possible values:

1. nil (default)
2. subtle
3. intense

The default is to use the same color as that of the main background, meaning that the fringes are not obvious though they still occupy the space given to them by fringe-mode.

Options subtle and intense apply a gray background, making the fringes visible. The difference between the two is one of degree, as their names imply.

Option for language checkers

Symbol: modus-themes-lang-checkers

Possible values:

1. nil (default)
2. subtle-foreground
3. intense-foreground
4. straight-underline
5. subtle-foreground-straight-underline
6. intense-foreground-straight-underline
7. colored-background

Nil (the default) applies a color-coded underline to the affected text, while it leaves the original foreground in tact. If the display spec where Emacs runs in has support for it (e.g. Emacs GUI), the underline's style is that of a wave, otherwise it is a straight line.

Options subtle-foreground and intense-foreground follow the same color-coding pattern and wavy underline of the default, while extending it with a corresponding foreground value for the affected text. The difference between the two options is one of degree, as their names suggest.

Option straight-underline is like the default but always applies a straight line under the affected text. Same principle for subtle-foreground-straight-underline and its counterpart intense-foreground-straight-underline.

Option colored-background uses a straight underline, a tinted background, and a suitable foreground. All are color-coded. This is the most intense combination of face properties.

The present variable affects packages and/or face groups such as those of flyspell, flymake, flycheck, artbollocks-mode, and writegood-mode.

NOTE: The placement of the straight underline, though not the wave style, is controlled by the built-in x-underline-at-descent-line, x-use-underline-position-properties, underline-minimum-offset. Please refer to their documentation strings.

Option for line highlighting (hl-line-mode)

Symbol: modus-themes-hl-line

Possible values:

1. nil (default)
2. intense-background
3. accented-background
4. underline-neutral
5. underline-accented
6. underline-only-neutral
7. underline-only-accented

The default is to use a subtle gray background for the current line when hl-line-mode is enabled.

The intense-background applies a more prominent gray to the background of the current line.

With accented-background the background gets a colored hint and is more prominent than the default.

The underline-neutral combines the default subtle neutral background with a gray underline.

Similarly, the underline-accented renders the background of the current line in a subtle colored background, while it also draws an accented underline.

Option underline-only-neutral produces a neutral underline, but does not use any background.

While underline-only-accented also uses just an underline, only this one is colored.

Consider setting the variable x-underline-at-descent-line to a non-nil value for better results with underlines.

This style affects several packages that enable hl-line-mode, such as elfeed and mu4e.

Option for line numbers (display-line-numbers-mode)

Symbol: modus-themes-subtle-line-numbers

Possible value:

1. nil (default)
2. t

The default style for display-line-numbers-mode and its global variant is to apply a subtle gray background to the line numbers. The current line has a more pronounced background and foreground combination to bring more attention to itself.

Similarly, the faces for display-line-numbers-major-tick and its counterpart display-line-numbers-minor-tick use appropriate styles that involve a bespoke background and foreground combination.

With a non-nil value (t), line numbers have no background of their own. Instead they retain the primary background of the theme, blending with the rest of the buffer. Foreground values for all relevant faces are updated to accommodate this aesthetic.

Option for parenthesis matching (show-paren-mode)

Symbol: modus-themes-paren-match

Possible values:

1. nil (default)
2. subtle-bold
3. intense
4. intense-bold

Nil means to use a subtle tinted background color for the matching delimiters.

Option intense applies a saturated background color.

Option subtle-bold is the same as the default, but also makes use of bold typographic weight (inherits the bold face).

Option intense-bold is the same as intense, while it also uses a bold weight.

This customization variable affects tools such as the built-in show-paren-mode and the smartparens package.

Option for active region

Symbol: modus-themes-region

Possible values:

1. nil (default)
2. no-extend
3. bg-only
4. bg-only-no-extend
5. accent
6. accent-no-extend

Nil means to only use a prominent gray background with a neutral foreground. The foreground overrides all syntax highlighting. The region extends to the edge of the window.

Option no-extend preserves the default aesthetic but prevents the region from extending to the edge of the window.

Option bg-only applies a faint tinted background that is distinct from all others used in the theme, while it does not override any existing colors. It extends to the edge of the window.

Option bg-only-no-extend is a combination of the bg-only and no-extend options.

Option accent is like the default, though it uses a more colorful background, while accent-no-extend is the same except it draws the region only up to the end of each line instead of extending to the edge of the window.

Option for diff buffer looks

Symbol: modus-themes-diffs

Possible values:

1. nil (default)
2. desaturated
3. bg-only
4. deuteranopia
5. fg-only-deuteranopia

The default (nil) uses fairly intense color combinations for diffs, by applying prominently colored backgrounds, with appropriate foregrounds.

Option desaturated follows the same principles as with the default (nil), though it tones down all relevant colors.

Option bg-only applies a background but does not override the text's foreground. This makes it suitable for a non-nil value passed to diff-font-lock-syntax (note: Magit does not support syntax highlighting in diffs—last checked on 2021-04-21).

Option deuteranopia is like the default (nil) in terms of using prominently colored backgrounds, except that it also accounts for red-green color defficiency by replacing all instances of green with colors on the blue side of the spectrum. Other stylistic changes are made in the interest of optimizing for such a use-case.

Option fg-only-deuteranopia removes all colored backgrounds, except from word-wise or refined changes. Instead, it only uses color-coded foreground values to differentiate between added, removed, and changed lines. If a background is necessary to denote context, a subtle grayscale value is applied. The color used for added lines is a variant of blue to account for red-green color defficiency but also because green text alone is hard to discern in the diff's context (hard for our accessibility purposes). The fg-only option that existed in older versions of the themes is now an alias of fg-only-deuteranopia, in the interest of backward compatibility.

Option for org-mode block styles

Symbol: modus-themes-org-blocks

Possible values:

1. nil (default)
2. gray-background (value grayscale exists for backward compatibility)
3. tinted-background (value rainbow exists for backward compatibility)

The default means that the block has no distinct background of its own and uses the one that applies to the rest of the buffer.

Option gray-background applies a subtle gray background to the block's contents. It also affects the begin and end lines of the block: their background extends to the edge of the window for Emacs version >= 27 where the :extend keyword is recognized by set-face-attribute (this is contingent on the variable org-fontify-whole-block-delimiter-line).

Option tinted-background uses a slightly colored background for the contents of the block. The exact color will depend on the programming language and is controlled by the variable org-src-block-faces (refer to the theme's source code for the current association list). For this to take effect, Org must be restarted with

M-x org-mode-restart

.

Code blocks use their major mode's colors only when the variable org-src-fontify-natively is non-nil. While quote/verse blocks require setting org-fontify-quote-and-verse-blocks to a non-nil value.

Update Org block delimiter fontification.

Older versions of the themes provided options grayscale (or greyscale) and rainbow. Those will continue to work as they are aliases for gray-background and tinted-background, respectively.

Option for org-habit graph styles

Symbol: modus-themes-org-habit

Possible values:

1. nil (default)
2. simplified
3. traffic-light

The default is meant to conform with the original aesthetic of org-habit. It employs all four color codes that correspond to the org-habit states—clear, ready, alert, and overdue—while distinguishing between their present and future variants. This results in a total of eight colors in use: red, yellow, green, blue, in tinted and shaded versions. They cover the full set of information provided by the org-habit consistency graph.

Option simplified is like the default except that it removes the dichotomy between current and future variants by applying uniform color-coded values. It applies a total of four colors: red, yellow, green, blue. They produce a simplified consistency graph that is more legible (or less "busy") than the default. The intent is to shift focus towards the distinction between the four states of a habit task, rather than each state's present/future outlook.

Option traffic-light further reduces the available colors to red, yellow, and green. As in simplified, present and future variants appear uniformly, but differently from it, the 'clear' state is rendered in a green hue, instead of the original blue. This is meant to capture the use-case where a habit task being "too early" is less important than it being "too late". The difference between ready and clear states is attenuated by painting both of them using shades of green. This option thus highlights the alert and overdue states.

Option for the headings' overall style

This is defined as an alist and, therefore, uses a different approach than other customization options documented in this manual.

Symbol: modus-themes-headings

Possible values, which can be specified for each heading level N (examples further below):

• nil (t is also available for backward compatibility)
• no-bold
• line
• line-no-bold
• rainbow
• rainbow-line
• rainbow-line-no-bold
• highlight
• highlight-no-bold
• rainbow-highlight
• rainbow-highlight-no-bold
• section
• section-no-bold
• rainbow-section
• rainbow-section-no-bold
• no-color
• no-color-no-bold

To control faces per level from 1-8, use something like this:

(setq modus-themes-headings
      '((1 . section)
        (2 . section-no-bold)
        (3 . rainbow-line)
        (t . rainbow-line-no-bold)))

The above uses the section value for heading levels 1, section-no-bold for headings 2, rainbow-line for 3. All other levels fall back to rainbow-line-no-bold.

To set a uniform value for all heading levels, use this pattern:

;; A given style for every heading
(setq modus-themes-headings
      '((t . section)))

;; Default aesthetic for every heading
(setq modus-themes-headings nil)

The default style for headings uses a fairly desaturated foreground color in combination with bold typographic weight. To specify this style for a given level N, assuming you wish to have another fallback option, just assign the value nil like this:

(setq modus-themes-headings
      '((1 . nil)
        (2 . line)
        (3) ; same as nil
        (t . rainbow-line-no-bold)))

A description of all other possible styles beyond the default:

• no-bold retains the default text color while removing the bold typographic weight.
• line is the same as the default plus an overline across the heading's length.
• line-no-bold is the same as line without bold weight.
• rainbow uses a more colorful foreground in combination with bold typographic weight.
• rainbow-line is the same as rainbow plus an overline.
• rainbow-line-no-bold is the same as rainbow-line without the bold weight.
• highlight retains the default style of a fairly desaturated foreground combined with a bold weight and adds to it a subtle accented background.
• highlight-no-bold is the same as highlight without a bold weight.
• rainbow-highlight is the same as highlight but with a more colorful foreground.
• rainbow-highlight-no-bold is the same as rainbow-highlight without a bold weight.
• section retains the default looks and adds to them both an overline and a slightly accented background. It is, in effect, a combination of the line and highlight values.
• section-no-bold is the same as section without a bold weight.
• rainbow-section is the same as section but with a more colorful foreground.
• rainbow-section-no-bold is the same as rainbow-section without a bold weight.
• no-color does not apply any color to the heading, meaning that it uses the foreground of the default face. It still renders the text with a bold typographic weight.
• no-color-no-bold is like no-color but without the bold weight.

Remember to also inspect relevant variables that Org provides, such as: org-fontify-whole-heading-line and org-fontify-done-headline.

Option for scaled headings

Symbol: modus-themes-scale-headings

Possible values:

1. nil (default)
2. t

The default is to use the same size for headings and paragraph text.

With a non-nil value (t) make headings larger in height relative to the main text. This is noticeable in modes like Org, Markdown, and Info.

Control the scale of headings

In addition to the toggle for enabling scaled headings, users can also specify a number of their own.

• If it is a floating point, say, 1.5, it is interpreted as a multiple of the base font size. This is the recommended method, because it will always adapt to changes in the base font size, such as while using the text-scale-adjust command.
• If it is an integer, it is read as an absolute font height that is 1/10 of the typographic point size. Thus a value of 18pt must be expressed as 180. Setting an absolute value is discouraged, as it will break the layout in cases where the base font size must change, such as with the text-scale-adjust command (Font configurations). While we discourage using absolute values, we still provide for this option for users who do not need to perform text-scaling operations or who are content with whatever discrepancies in height.

Below are the variables in their default values, using the floating point paradigm. The numbers are very conservative, but one is free to change them to their liking, such as 1.2, 1.4, 1.6, 1.8, 2.0—or use a resource for finding a consistent scale:

(setq modus-themes-scale-1 1.05
      modus-themes-scale-2 1.1
      modus-themes-scale-3 1.15
      modus-themes-scale-4 1.2
      modus-themes-scale-5 1.3)

As for the application of that scale, the variables that range from modus-themes-scale-1 up to modus-themes-scale-4 apply to regular headings within the context of the given major mode. The former is the smallest, while the latter is the largest. "Regular headings" are those that have a standard syntax for their scale, such as Org mode's eight levels of asterisks or Markdown's six columns.

Whereas modus-themes-scale-5 is applied to special headings that do not conform with the aforementioned syntax, yet which are expected to be larger than the largest value on that implied scale. Put concretely, Org's #+title meta datum is not part of the eight levels of headings in an Org file, yet is supposed to signify the primary header. Similarly, the Org Agenda's structure headings are not part of a recognisable scale and so they also get modus-themes-scale-5.

Users who wish to maintain scaled headings for the normal syntax while preventing special headings from standing out, can assign a value of 1.0 to modus-themes-scale-5 to make it the same as body text (or whatever value would render it indistinguishable from the desired point of reference).

Note that in earlier versions of Org, scaling would only increase the size of the heading, but not of keywords that were added to it, like "TODO". The issue has been fixed upstream: <https://protesilaos.com/codelog/2020-09-24-org-headings-adapt/>.

Option for variable-pitch font in UI elements

Symbol: modus-themes-variable-pitch-ui

Possible values:

1. nil (default)
2. t

This option concerns User Interface elements that are under the direct control of Emacs. In particular: the mode line, header line, tab bar, and tab line.

The default is to use the same font as the rest of Emacs, which usually is a monospaced family.

With a non-nil value (t) apply a proportionately spaced typeface. This is done by assigning the variable-pitch face to the relevant items.

Font configurations for Org and others.

Option for variable-pitch font in headings

Symbol: modus-themes-variable-pitch-headings

Possible values:

1. nil (default)
2. t

The default is to use the main font family, which typically is monospaced.

With a non-nil value (t) apply a proportionately spaced typeface, else "variable-pitch", to headings (such as in Org mode).

Font configurations for Org and others.

Advanced customization (do-it-yourself)

Unlike the predefined customization options which follow a clear pattern of allowing the user to quickly specify their preference, the themes also provide a more flexible, albeit difficult, mechanism to control things with precision (Customization Options).

This section is of interest only to users who are prepared to maintain their own local tweaks and who are willing to deal with any possible incompatibilities between versioned releases of the themes. As such, they are labelled as "do-it-yourself" or "DIY".

Per-theme customization settings (DIY)

If you prefer to maintain different customization options between the two themes, it is best you write your own functions that first set those options and then load the relevant theme. The following code does exactly that by simply differentiating the two themes on the choice of bold constructs in code syntax (enabled for one, disabled for the other).

(defun my-demo-modus-operandi ()
  (interactive)
  (setq modus-themes-bold-constructs t) ; ENABLE bold
  (modus-themes-load-operandi))

(defun my-demo-modus-vivendi ()
  (interactive)
  (setq modus-themes-bold-constructs nil) ; DISABLE bold
  (modus-themes-load-vivendi))

(defun my-demo-modus-themes-toggle ()
  (if (eq (car custom-enabled-themes) 'modus-operandi)
      (my-demo-modus-vivendi)
    (my-demo-modus-operandi)))

Then assign my-demo-modus-themes-toggle to a key instead of the equivalent the themes provide.

For a more elaborate design, it is better to inspect the source code of modus-themes-toggle and relevant functions.

Case-by-case face specs using the themes' palette (DIY)

This section is about tweaking individual faces. If you plan to do things at scale, consult the next section: Set multiple faces.

We already covered in previous sections how to toggle between the themes and how to configure options prior to loading. We also explained that some of the functions made available to users will fire up a hook that can be used to pass tweaks in the post-theme-load phase.

Now assume you wish to change a single face, say, the cursor. And you would like to get the standard "blue" color value of the active Modus theme, whether it is Modus Operandi or Modus Vivendi. To do that, you can use the modus-themes-color function. It accepts a symbol that is associated with a color in modus-themes-operandi-colors and modus-themes-vivendi-colors. Like this:

(modus-themes-color 'blue)

The function always extracts the color value of the active Modus theme.

(progn
  (load-theme 'modus-operandi t)
  (modus-themes-color 'blue))           ; "#0031a9" for `modus-operandi'

(progn
  (load-theme 'modus-vivendi t)
  (modus-themes-color 'blue))           ; "#2fafff" for `modus-vivendi'

Do

C-h v

on the aforementioned variables to check all the available symbols that can be passed to this function.

With that granted, let us expand the example to actually change the cursor face's background property. We employ the built-in function of set-face-attribute:

(set-face-attribute 'cursor nil :background (modus-themes-color 'blue))

If you evaluate this form, your cursor will become blue. But if you change themes, such as with modus-themes-toggle, your edits will be lost, because the newly loaded theme will override the :background attribute you had assigned to that face.

For such changes to persist, we need to make them after loading the theme. So we rely on modus-themes-after-load-theme-hook, which gets called from modus-themes-load-operandi, modus-themes-load-vivendi, as well as the command modus-themes-toggle. Here is a sample function that tweaks two faces and then gets added to the hook:

(defun my-modus-themes-custom-faces ()
  (set-face-attribute 'cursor nil :background (modus-themes-color 'blue))
  (set-face-attribute 'font-lock-type-face nil :foreground (modus-themes-color 'magenta-alt)))

(add-hook 'modus-themes-after-load-theme-hook #'my-modus-themes-custom-faces)

A theme-agnostic hook for theme loading.

Using this principle, it is possible to override the styles of faces without having to find color values for each case.

Another application is to control the precise weight for bold constructs. This is particularly useful if your typeface has several variants such as "heavy", "extrabold", "semibold". All you have to do is edit the bold face. For example:

(set-face-attribute 'bold nil :weight 'semibold)

Remember to use the custom function and hook combo we demonstrated above. Because the themes do not hard-wire a specific weight, this simple form is enough to change the weight of all bold constructs throughout the interface.

Finally, there are cases where you want to tweak colors though wish to apply different ones to each theme, say, a blue hue for Modus Operandi and a shade of red for Modus Vivendi. To this end, we provide modus-themes-color-alts as a convenience function to save you from the trouble of writing separate wrappers for each theme. It still returns a single value by querying either of modus-themes-operandi-colors and modus-themes-vivendi-colors, only here you pass the two keys you want, first for modus-operandi then modus-vivendi.

Take the previous example with the cursor face:

;; Blue for `modus-operandi' and red for `modus-vivendi'
(set-face-attribute 'cursor nil :background (modus-themes-color-alts 'blue 'red))

Face specs at scale using the themes' palette (DIY)

The examples here are for large scale operations. For simple, one-off tweaks, you may prefer the approach documented in the previous section (Case-by-case face specs using the themes' palette).

The modus-themes-with-colors macro lets you retrieve multiple color values by employing the backquote/backtick and comma notation. The values are stored in the alists modus-themes-operandi-colors and modus-themes-vivendi-colors, while the macro always queries that of the active Modus theme.

Here is an abstract example that just returns a list of color values while modus-operandi is enabled:

(modus-themes-with-colors
  (list fg-main
        blue-faint
        magenta
        magenta-alt-other
        cyan-alt-other
        fg-special-cold
        blue-alt
        magenta-faint
        cyan
        fg-main
        green-faint
        red-alt-faint
        blue-alt-faint
        fg-special-warm
        cyan-alt
        blue))
;; =>
;; ("#000000" "#002f88" "#721045" "#5317ac"
;;  "#005a5f" "#093060" "#2544bb" "#752f50"
;;  "#00538b" "#000000" "#104410" "#702f00"
;;  "#003f78" "#5d3026" "#30517f" "#0031a9")

Getting a list of colors may have its applications, though what you are most likely interested in is how to use those variables to configure several faces at once. To do so we can rely on the built-in custom-set-faces function, which sets face specifications for the special user theme. That "theme" gets applied on top of regular themes like modus-operandi and modus-vivendi.

This is how it works:

(modus-themes-with-colors
  (custom-set-faces
   `(cursor ((,class :background ,blue)))
   `(mode-line ((,class :background ,yellow-nuanced-bg
                        :foreground ,yellow-nuanced-fg)))
   `(mode-line-inactive ((,class :background ,blue-nuanced-bg
                                 :foreground ,blue-nuanced-fg)))))

The above snippet will immediately refashion the faces it names once it is evaluated. However, if you switch between the Modus themes, say, from modus-operandi to modus-vivendi, the colors will not get updated to match those of the new theme. To make things work across the themes, we need to employ the same technique we discussed in the previous section, namely, to pass our changes at the post-theme-load phase via a hook.

The themes provide the modus-themes-after-load-theme-hook, which gets called from modus-themes-load-operandi, modus-themes-load-vivendi, as well as the command modus-themes-toggle. With this knowledge, you can wrap the macro in a function and then assign that function to the hook. Thus:

(defun my-modus-themes-custom-faces ()
  (modus-themes-with-colors
    (custom-set-faces
     `(cursor ((,class :background ,blue)))
     `(mode-line ((,class :background ,yellow-nuanced-bg
                          :foreground ,yellow-nuanced-fg)))
     `(mode-line-inactive ((,class :background ,blue-nuanced-bg
                                   :foreground ,blue-nuanced-fg))))))

(add-hook 'modus-themes-after-load-theme-hook #'my-modus-themes-custom-faces)

A theme-agnostic hook for theme loading.

To discover the faces defined by all loaded libraries, you may do

M-x list-faces-display

. Be warned that when you :inherit a face you are introducing an implicit dependency, so try to avoid doing so for libraries other than the built-in

faces.el

(or at least understand that things may break if you inherit from a yet-to-be-loaded face).

Also bear in mind that these examples are meant to work with the Modus themes. If you are cycling between multiple themes you may encounter unforeseen issues, such as the colors of the Modus themes being applied to a non-Modus item.

Finally, note that you can still use other functions where those make sense. For example, the modus-themes-color-alts that was discussed in the previous section. Adapt the above example like this:

...
(modus-themes-with-colors
  (custom-set-faces
   `(cursor ((,class :background ,(modus-themes-color-alts 'blue 'green))))
   ...))

Remap face with local value (DIY)

There are cases where we need to change the buffer-local attributes of a face. This might be because we have our own minor mode that re-uses a face for a particular purpose, such as a line selection tool that activates hl-line-mode, but we wish to keep it distinct from other buffers. This is where face-remap-add-relative can be applied and may be combined with modus-themes-with-colors to deliver consistent results.

Face specs at scale using the themes' palette (DIY).

In this example we will write a simple interactive function that adjusts the background color of the region face. This is the sample code:

(defvar my-rainbow-region-colors
  (modus-themes-with-colors
    `((red . ,red-subtle-bg)
      (green . ,green-subtle-bg)
      (yellow . ,yellow-subtle-bg)
      (blue . ,blue-subtle-bg)
      (magenta . ,magenta-subtle-bg)
      (cyan . ,cyan-subtle-bg)))
  "Sample list of color values for `my-rainbow-region'.")

(defun my-rainbow-region (color)
  "Remap buffer-local attribute of `region' using COLOR."
  (interactive
   (list
    (completing-read "Pick a color: " my-rainbow-region-colors)))
  (face-remap-add-relative
   'region
   `( :background ,(alist-get (intern color) my-rainbow-region-colors)
      :foreground ,(face-attribute 'default :foreground))))

When my-rainbow-region is called interactively, it prompts for a color to use. The list of candidates is drawn from the car of each association in my-rainbow-region-colors (so "red", "green", etc.).

To extend this principle, we may write wrapper functions that pass a color directly. Those can be useful in tandem with hooks. Consider this example:

(defun my-rainbow-region-magenta ()
  (my-rainbow-region 'magenta))

(add-hook 'diff-mode-hook #'my-rainbow-region-magenta)

Whenever we enter a diff-mode buffer, we now get a magenta-colored region.

Perhaps you may wish to generalise those findings in to a set of functions that also accept an arbitrary face. We shall leave the experimentation up to you.

Cycle through arbitrary colors (DIY)

Users may opt to customize individual faces of the themes to accommodate their particular needs. One such case is with the color intensity of comments, specifically the foreground of font-lock-comment-face. The Modus themes set that to a readable value, in accordance with their accessibility objective, though users may prefer to lower the overall contrast on an on-demand basis.

One way to achieve this is to design a command that cycles through three distinct levels of intensity, though the following can be adapted to any kind of cyclic behaviour, such as to switch between red, green, and blue.

In the following example, we employ the modus-themes-color function which reads a symbol that represents an entry in the active theme's color palette (Case-by-case face specs using the themes' palette). Those are stored in my-modus-themes-comment-colors.

(defvar my-modus-themes-comment-colors
  ;; We are abusing the palette here, as those colors have their own
  ;; purpose in the palette, so please ignore the semantics of their
  ;; names.
  '((low . bg-region)
    (medium . bg-tab-inactive-alt)
    (high . fg-alt))
  "Alist of levels of intensity mapped to color palette entries.
The entries are found in `modus-themes-operandi-colors' or
`modus-themes-vivendi-colors'.")

(defvar my-modus-themes--adjust-comment-color-state nil
  "The cyclic state of `my-modus-themes-adjust-comment-color'.
For internal use.")

(defun my-modus-themes--comment-foreground (degree state)
  "Set `font-lock-comment-face' foreground.
Use `my-modus-themes-comment-colors' to extract the color value
for each level of intensity.

This is complementary to `my-modus-themes-adjust-comment-color'."
  (let ((palette-colors my-modus-themes-comment-colors))
    (set-face-foreground
     'font-lock-comment-face
     (modus-themes-color (alist-get degree palette-colors)))
    (setq my-modus-themes--adjust-comment-color-state state)
    (message "Comments are set to %s contrast" degree)))

(defun my-modus-themes-adjust-comment-color ()
  "Cycle through levels of intensity for comments.
The levels are determined by `my-modus-themes-comment-colors'."
  (interactive)
  (pcase my-modus-themes--adjust-comment-color-state
    ('nil
     (my-modus-themes--comment-foreground 'low 1))
    (1
     (my-modus-themes--comment-foreground 'medium 2))
    (_
     (my-modus-themes--comment-foreground 'high nil))))

With the above,

M-x my-modus-themes-adjust-comment-color

will cycle through the three levels of intensity that have been specified.

Another approach is to not read from the active theme's color palette and instead provide explicit color values, either in hexadecimal RGB notation (like #123456) or as the names that are displayed in the output of

M-x list-colors-display

. In this case, the alist with the colors will have to account for the active theme, so as to set the appropriate colors. While this introduces a bit more complexity, it ultimately offers greater flexibility on the choice of colors for such a niche functionality (so there is no need to abuse the palette of the active Modus theme):

(defvar my-modus-themes-comment-colors
  '((light . ((low . "gray75")
              (medium . "gray50")
              (high . "#505050")))      ; the default for `modus-operandi'

    (dark . ((low . "gray25")
             (medium . "gray50")
             (high . "#a8a8a8"))))      ; the default for `modus-vivendi'
  "Alist of levels of intensity mapped to color values.
For such colors, consult the command `list-colors-display'.  Pass
the name of a color or its hex value.")

(defvar my-modus-themes--adjust-comment-color-state nil
  "The cyclic state of `my-modus-themes-adjust-comment-color'.
For internal use.")

(defun my-modus-themes--comment-foreground (degree state)
    "Set `font-lock-comment-face' foreground.
Use `my-modus-themes-comment-colors' to extract the color value
for each level of intensity.

This is complementary to `my-modus-themes-adjust-comment-color'."
  (let* ((colors my-modus-themes-comment-colors)
         (levels (pcase (car custom-enabled-themes)
                   ('modus-operandi (alist-get 'light colors))
                   ('modus-vivendi (alist-get 'dark colors)))))
    (set-face-foreground
     'font-lock-comment-face
     (alist-get degree levels))
    (setq my-modus-themes--adjust-comment-color-state state)
    (message "Comments are set to %s contrast" degree)))

(defun my-modus-themes-adjust-comment-color ()
  "Cycle through levels of intensity for comments.
The levels are determined by `my-modus-themes-comment-colors'."
  (interactive)
  (pcase my-modus-themes--adjust-comment-color-state
    ('nil
     (my-modus-themes--comment-foreground 'low 1))
    (1
     (my-modus-themes--comment-foreground 'medium 2))
    (_
     (my-modus-themes--comment-foreground 'high nil))))

The effect of the above configurations on font-lock-comment-face is global. To make it buffer-local, one must tweak the code to employ the function face-remap-add-relative (Remap face with local value).

So this form in my-modus-themes--comment-foreground:

;; example 1
(...
 (set-face-foreground
  'font-lock-comment-face
  (modus-themes-color (alist-get degree palette-colors)))
 ...)

;; example 2
(...
 (set-face-foreground
  'font-lock-comment-face
  (alist-get degree levels))
 ...)

Must become this:

;; example 1
(...
 (face-remap-add-relative
  'font-lock-comment-face
  `(:foreground ,(modus-themes-color (alist-get degree palette-colors))))
 ...)

;; example 2
(...
 (face-remap-add-relative
  'font-lock-comment-face
  `(:foreground ,(alist-get degree levels)))
 ...)

Override colors (DIY)

The themes provide a mechanism for overriding their color values. This is controlled by the variables modus-themes-operandi-color-overrides and modus-themes-vivendi-color-overrides, which are alists that should mirror a subset of the associations in modus-themes-operandi-colors and modus-themes-vivendi-colors respectively. As with all customisations, overriding must be done before loading the affected theme.

Let us approach the present topic one step at a time. Here is a simplified excerpt of the default palette for Modus Operandi with some basic background values that apply to buffers and the mode line (remember to inspect the actual value to find out all the associations that can be overridden):

(defconst modus-themes-operandi-colors
  '((bg-main . "#ffffff")
    (bg-dim . "#f8f8f8")
    (bg-alt . "#f0f0f0")
    (bg-active . "#d7d7d7")
    (bg-inactive . "#efefef")))

As one can tell, we bind a key to a hexadecimal RGB color value. Now say we wish to override those specific values and have our changes propagate to all faces that use those keys. We could write something like this, which adds a subtle ochre tint:

(setq modus-themes-operandi-color-overrides
      '((bg-main . "#fefcf4")
        (bg-dim . "#faf6ef")
        (bg-alt . "#f7efe5")
        (bg-active . "#e8dfd1")
        (bg-inactive . "#f6ece5")))

Once this is evaluated, any subsequent loading of modus-operandi will use those values instead of the defaults. No further intervention is required.

To reset the changes, we apply this and reload the theme:

(setq modus-themes-operandi-color-overrides nil)

Users who wish to leverage such a mechanism can opt to implement it on-demand by means of a global minor mode. The following snippet covers both themes and expands to some more assosiations in the palette:

(define-minor-mode my-modus-themes-tinted
  "Tweak some Modus themes colors."
  :init-value nil
  :global t
  (if my-modus-themes-tinted
      (setq modus-themes-operandi-color-overrides
            '((bg-main . "#fefcf4")
              (bg-dim . "#faf6ef")
              (bg-alt . "#f7efe5")
              (bg-hl-line . "#f4f0e3")
              (bg-active . "#e8dfd1")
              (bg-inactive . "#f6ece5")
              (bg-region . "#c6bab1")
              (bg-header . "#ede3e0")
              (bg-tab-bar . "#dcd3d3")
              (bg-tab-active . "#fdf6eb")
              (bg-tab-inactive . "#c8bab8")
              (fg-unfocused . "#55556f"))
            modus-themes-vivendi-color-overrides
            '((bg-main . "#100b17")
              (bg-dim . "#161129")
              (bg-alt . "#181732")
              (bg-hl-line . "#191628")
              (bg-active . "#282e46")
              (bg-inactive . "#1a1e39")
              (bg-region . "#393a53")
              (bg-header . "#202037")
              (bg-tab-bar . "#262b41")
              (bg-tab-active . "#120f18")
              (bg-tab-inactive . "#3a3a5a")
              (fg-unfocused . "#9a9aab")))
    (setq modus-themes-operandi-color-overrides nil
          modus-themes-vivendi-color-overrides nil)))

With this in place, one can invoke

M-x my-modus-themes-tinted

and then load the Modus theme of their choice. The new palette subset will come into effect: subtle ochre tints for Modus Operandi and night sky shades for Modus Vivendi. Switching between the two themes, such as with

M-x modus-themes-toggle

will also use the overrides.

Given that this is a user-level customisation, one is free to implement whatever color values they desire, even if the possible combinations fall below the minimum 7:1 contrast ratio that governs the design of the themes (the WCAG AAA legibility standard). Alternatively, this can also be done programmatically (Override color saturation).

For manual interventions it is advised to inspect the source code of modus-themes-operandi-colors and modus-themes-vivendi-colors for the inline commentary: it explains what the intended use of each palette subset is.

Furthermore, users may benefit from the modus-themes-contrast function that we provide: test color combinations. It measures the contrast ratio between two color values, so it can help in overriding the palette (or a subset thereof) without making the end result inaccessible.

Override color saturation (DIY)

In the previous section we documented how one can override color values manually (Override colors). Here we use a programmatic approach which leverages the built-in color-saturate-name function to adjust the saturation of all color values used by the active Modus theme. Our goal is to prepare a counterpart of the active theme's palette that holds modified color values, adjusted for a percent change in saturation. A positive number amplifies the effect, while a negative one will move towards a grayscale spectrum.

We start with a function that can be either called from Lisp or invoked interactively. In the former scenario, we pass to it the rate of change we want. While in the latter, a minibuffer prompt asks for a number to apply the desired effect. In either case, we intend to assign anew the value of modus-themes-operandi-color-overrides (light theme) and the same for modus-themes-vivendi-color-overrides (dark theme).

(defun my-modus-themes-saturate (percent)
  "Saturate current Modus theme palette overrides by PERCENT."
  (interactive
   (list (read-number "Saturation by percent: ")))
  (let* ((theme (modus-themes--current-theme))
         (palette (pcase theme
                    ('modus-operandi modus-themes-operandi-colors)
                    ('modus-vivendi modus-themes-vivendi-colors)
                    (_ (error "No Modus theme is active"))))
         (overrides (pcase theme
                      ('modus-operandi 'modus-themes-operandi-color-overrides)
                      ('modus-vivendi 'modus-themes-vivendi-color-overrides)
                      (_ (error "No Modus theme is active")))))
    (let (name cons colors)
      (dolist (cons palette)
        (setq name (color-saturate-name (cdr cons) percent))
        (setq name (format "%s" name))
        (setq cons `(,(car cons) . ,name))
        (push cons colors))
      (set overrides colors))
    (pcase theme
      ('modus-operandi (modus-themes-load-operandi))
      ('modus-vivendi (modus-themes-load-vivendi)))))

;; sample Elisp calls (or call `my-modus-themes-saturate' interactively)
(my-modus-themes-saturate 50)
(my-modus-themes-saturate -75)

Using the above has an immediate effect, as it reloads the active Modus theme.

The my-modus-themes-saturate function stores new color values in the variables modus-themes-operandi-color-overrides and modus-themes-vivendi-color-overrides, meaning that it undoes changes implemented by the user on individual colors. To have both automatic saturation adjustment across the board and retain per-case edits to the palette, some tweaks to the above function are required. For example:

(defvar my-modus-themes-vivendi-extra-color-overrides
  '((fg-main . "#ead0c0")
    (bg-main . "#050515"))
  "My bespoke colors for `modus-vivendi'.")

(defvar my-modus-themes-operandi-extra-color-overrides
  '((fg-main . "#1a1a1a")
    (bg-main . "#fefcf4"))
  "My bespoke colors for `modus-operandi'.")

(defun my-modus-themes-saturate (percent)
  "Saturate current Modus theme palette overrides by PERCENT.
Preserve the color values stored in
`my-modus-themes-operandi-extra-color-overrides',
`my-modus-themes-vivendi-extra-color-overrides'."
  (interactive
   (list (read-number "Saturation by percent: ")))
  (let* ((theme (modus-themes--current-theme))
         (palette (pcase theme
                    ('modus-operandi modus-themes-operandi-colors)
                    ('modus-vivendi modus-themes-vivendi-colors)
                    (_ (error "No Modus theme is active"))))
         (overrides (pcase theme
                      ('modus-operandi 'modus-themes-operandi-color-overrides)
                      ('modus-vivendi 'modus-themes-vivendi-color-overrides)
                      (_ (error "No Modus theme is active"))))
         (extra-overrides (pcase theme
                            ('modus-operandi my-modus-themes-operandi-extra-color-overrides)
                            ('modus-vivendi my-modus-themes-vivendi-extra-color-overrides)
                            (_ (error "No Modus theme is active")))))
    (let (name cons colors)
      (dolist (cons palette)
        (setq name (color-saturate-name (cdr cons) percent))
        (setq name (format "%s" name))
        (setq cons `(,(car cons) . ,name))
        (push cons colors))
      (set overrides (append extra-overrides colors)))
    (pcase theme
      ('modus-operandi (modus-themes-load-operandi))
      ('modus-vivendi (modus-themes-load-vivendi)))))

To disable the effect, one must reset the aforementioned variables of the themes to nil. Or specify a command for it, such as by taking inspiration from the modus-themes-toggle we already provide:

(defun my-modus-themes-revert-overrides ()
  "Reset palette overrides and reload active Modus theme."
  (interactive)
  (setq modus-themes-operandi-color-overrides nil
        modus-themes-vivendi-color-overrides nil)
  (pcase (modus-themes--current-theme)
    ('modus-operandi (modus-themes-load-operandi))
    ('modus-vivendi (modus-themes-load-vivendi))))

Font configurations for Org and others (DIY)

The themes are designed to cope well with mixed font configurations.

Option for no font mixing.

This mostly concerns org-mode and markdown-mode, though expect to find it elsewhere like in Info-mode.

In practice it means that the user can safely opt for a more prose-friendly proportionately spaced typeface as their default, while letting spacing-sensitive elements like tables and inline code always use a monospaced font, by inheriting from the fixed-pitch face.

Users can try the built-in

M-x variable-pitch-mode

to see the effect in action.

To make everything use your desired font families, you need to configure the variable-pitch (proportional spacing) and fixed-pitch (monospaced) faces respectively. It may also be convenient to set your main typeface by configuring the default face the same way.

Put something like this in your initialization file (also consider reading the doc string of set-face-attribute):

;; Main typeface
(set-face-attribute 'default nil :family "DejaVu Sans Mono" :height 110)

;; Proportionately spaced typeface
(set-face-attribute 'variable-pitch nil :family "DejaVu Serif" :height 1.0)

;; Monospaced typeface
(set-face-attribute 'fixed-pitch nil :family "DejaVu Sans Mono" :height 1.0)

Note the differences in the :height property. The default face must specify an absolute value, which is the point size × 10. So if you want to use a font at point size 11, you set the height to 110.[fn:: :height values do not need to be rounded to multiples of ten: the likes of 115 are perfectly valid—some typefaces will change to account for those finer increments.] Whereas every other face must have a value that is relative to the default, represented as a floating point (if you use an integer, then that means an absolute height). This is of paramount importance: it ensures that all fonts can scale gracefully when using something like the text-scale-adjust command which only operates on the base font size (i.e. the default face's absolute height).

Note for EWW and Elfeed fonts (SHR fonts).

Custom Org user faces (DIY)

Users of org-mode have the option to configure various keywords and priority cookies to better match their workflow. User options are org-todo-keyword-faces and org-priority-faces.

As those are meant to be custom faces, it is futile to have the themes guess what each user wants to use, which keywords to target, and so on. Instead, we can provide guidelines on how to customize things to one's liking with the intent of retaining the overall aesthetic of the themes.

Please bear in mind that the end result of those is not controlled by the active Modus theme but by how Org maps faces to its constructs. Editing those while org-mode is active requires re-initialization of the mode with

M-x org-mode-restart

for changes to take effect.

Let us assume you wish to visually differentiate your keywords. You have something like this:

(setq org-todo-keywords
      '((sequence "TODO(t)" "|" "DONE(D)" "CANCEL(C)")
        (sequence "MEET(m)" "|" "MET(M)")
        (sequence "STUDY(s)" "|" "STUDIED(S)")
        (sequence "WRITE(w)" "|" "WROTE(W)")))

You could then use a variant of the following to inherit from a face that uses the styles you want and also to preserve the properties applied by the org-todo face:

(setq org-todo-keyword-faces
      '(("MEET" . '(font-lock-preprocessor-face org-todo))
        ("STUDY" . '(font-lock-variable-name-face org-todo))
        ("WRITE" . '(font-lock-type-face org-todo))))

This will refashion the keywords you specify, while letting the other items in org-todo-keywords use their original styles (which are defined in the org-todo and org-done faces).

If you want back the defaults, try specifying just the org-todo face:

(setq org-todo-keyword-faces
      '(("MEET" . org-todo)
        ("STUDY" . org-todo)
        ("WRITE" . org-todo)))

When you inherit from multiple faces, you need to quote the list as shown further above. The order is important: the last item is applied over the previous ones. If you do not want to blend multiple faces, you do not need a quoted list. A pattern of keyword . face will suffice.

Both approaches can be used simultaneously, as illustrated in this configuration of the priority cookies:

(setq org-priority-faces
      '((?A . '(org-scheduled-today org-priority))
        (?B . org-priority)
        (?C . '(shadow org-priority))))

To find all the faces that are loaded in your current Emacs session, use as well and then specify the name of each of those Org variables demonstrated above. Their documentation strings will offer you further guidance.

Recall that the themes let you retrieve a color from their palette. Do it if you plan to control face attributes.

Custom face specs using the themes' palette.

Check color combinations.

Update Org block delimiter fontification (DIY)

As noted in the section about modus-themes-org-blocks, Org contains a variable that determines whether the block's begin and end lines are extended to the edge of the window (Option for org-mode block styles). The variable is org-fontify-whole-block-delimiter-line.

Users who change the style of Org blocks from time to time may prefer to automatically update delimiter line fontification, such as with the following setup:

(defun my-modus-themes-org-fontify-block-delimiter-lines ()
  "Match `org-fontify-whole-block-delimiter-line' to theme style.
Run this function at the post theme load phase, such as with the
`modus-themes-after-load-theme-hook'."
  (if (eq modus-themes-org-blocks 'gray-background)
      (setq org-fontify-whole-block-delimiter-line t)
    (setq org-fontify-whole-block-delimiter-line nil)))

(add-hook 'modus-themes-after-load-theme-hook
          #'my-modus-themes-org-fontify-block-delimiter-lines)

Then

M-x org-mode-restart

for changes to take effect, though manual intervention can be circumvented by tweaking the function thus:

(defun my-modus-themes-org-fontify-block-delimiter-lines ()
  "Match `org-fontify-whole-block-delimiter-line' to theme style.
Run this function at the post theme load phase, such as with the
`modus-themes-after-load-theme-hook'."
  (if (eq modus-themes-org-blocks 'gray-background)
      (setq org-fontify-whole-block-delimiter-line t)
    (setq org-fontify-whole-block-delimiter-line nil))
  (when (derived-mode-p 'org-mode)
    (font-lock-flush)))

Measure color contrast (DIY)

The themes provide the functions modus-themes-wcag-formula and modus-themes-contrast. The former is a direct implementation of the WCAG formula: <https://www.w3.org/TR/WCAG20-TECHS/G18.html>. It calculates the relative luminance of a color value that is expressed in hexadecimal RGB notation. While the latter function is just a convenient wrapper for comparing the relative luminance between two colors.

In practice, one needs to work only with modus-themes-contrast. It accepts two color values and returns their contrast ratio. Values range from 1 to 21 (lowest to highest). The themes are designed to always be equal or higher than 7 for each combination of background and foreground that they use (this is the WCAG AAA standard—the most demanding of its kind).

A couple of examples (rounded numbers):

;; Pure white with pure green
(modus-themes-contrast "#ffffff" "#00ff00")
;; => 1.37
;; That is an outright inaccessible combo

;; Pure black with pure green
(modus-themes-contrast "#000000" "#00ff00")
;; => 15.3
;; That is is a highly accessible combo

It does not matter which color value comes first. The ratio is always the same.

If one does not wish to read all the decimal points, it is possible to try something like this:

(format "%0.2f" (modus-themes-contrast "#000000" "#00ff00"))

While it is fine to perform such calculations on a case-by-case basis, it is preferable to implement formulas and tables for more demanding tasks. Such instruments are provided by org-mode or orgtbl-mode, both of which are built into Emacs. Below is such a table that derives the contrast ratio of all colors in the first column (pure red, green, blue) relative to the color specified in the first row of the second column (pure white) and rounds the results:

|         | #ffffff |
|---------+---------|
| #ff0000 |    4.00 |
| #00ff00 |    1.37 |
| #0000ff |    8.59 |
#+tblfm: $2='(modus-themes-contrast $1 @1$2);%0.2f

To measure color contrast one needs to start from a known value. This typically is the background. The Modus themes define an expanded palette in large part because certain colors are only meant to be used in combination with some others. Consult the source code for the minutia and relevant commentary.

Such knowledge may prove valuable while attempting to override some of the themes' colors: Override colors.

Load theme depending on time of day (DIY)

While we do provide modus-themes-toggle to manually switch between the themes, users may also set up their system to perform such a task automatically at sunrise and sunset.

This can be accomplished by specifying the coordinates of one's location using the built-in

solar.el

and then configuring the circadian package:

(use-package solar                      ; built-in
  :config
  (setq calendar-latitude 35.17
        calendar-longitude 33.36))

(use-package circadian                  ; you need to install this
  :ensure
  :after solar
  (setq circadian-themes '((:sunrise . modus-operandi)
                           (:sunset  . modus-vivendi)))
  (circadian-setup))

Backdrop for pdf-tools (DIY)

Most PDF files use a white background for their page, making it impossible to discern the file's boundaries in the buffer while using the Modus Operandi theme. To introduce a distinction between the buffer's backdrop and the PDF page's background, the former must be rendered as some shade of gray. Ideally, pdf-tools would provide a face that the themes could support directly, though this does not seem to be the case for the time being. We must thus employ the face remapping technique that is documented elsewhere in this document to change the buffer-local value of the default face.

Remap face with local value (DIY).

To remap the buffer's backdrop, we start with a function like this one:

(defun my-pdf-tools-backdrop ()
  (face-remap-add-relative
   'default
   `(:background ,(modus-themes-color 'bg-alt))))

(add-hook 'pdf-tools-enabled-hook #'my-pdf-tools-backdrop)

The idea is to assign that function to a hook that gets called when pdf-tools renders the document: pdf-tools-enabled-hook. This is enough when you only use one theme. However it has the downside of setting the background color value only at render time. In other words, the face remapping function does not get evaluated anew whenever the theme changes, such as upon invoking

M-x modus-themes-toggle

.

To have our face remapping adapt gracefully while switching between the Modus themes, we need to also account for the current theme and control the activation of pdf-view-midnight-minor-mode. To which end we arrive at something like the following, which builds on the above example:

(defun my-pdf-tools-backdrop ()
  (face-remap-add-relative
   'default
   `(:background ,(modus-themes-color 'bg-alt))))

(defun my-pdf-tools-midnight-mode-toggle ()
  (when (derived-mode-p 'pdf-view-mode)
    (if (eq (car custom-enabled-themes) 'modus-vivendi)
        (pdf-view-midnight-minor-mode 1)
      (pdf-view-midnight-minor-mode -1))
    (my-pdf-tools-backdrop)))

(add-hook 'pdf-tools-enabled-hook #'my-pdf-tools-midnight-mode-toggle)
(add-hook 'modus-themes-after-load-theme-hook #'my-pdf-tools-midnight-mode-toggle)

With those in place, PDFs have a distinct backdrop for their page, while they automatically switch to their dark mode when modus-themes-toggle is called from inside a buffer whose major-mode is pdf-view-mode.

A theme-agnostic hook for theme loading (DIY)

The themes are designed with the intent to be useful to Emacs users of varying skill levels, from beginners to experts. This means that we try to make things easier by not expecting anyone reading this document to be proficient in Emacs Lisp or programming in general.

Such a case is with the use of the modus-themes-after-load-theme-hook, which runs after modus-themes-toggle, modus-themes-load-operandi, or modus-themes-load-vivendi is evaluated. We recommend using that hook for advanced customizations, because (1) we know for sure that it is available once the themes are loaded, and (2) anyone consulting this manual, especially the sections on enabling and loading the themes, will be in a good position to benefit from that hook.

Advanced users who have a need to switch between the Modus themes and other items will find that such a hook does not meet their requirements: it only works with the Modus themes and only with the aforementioned functions.

A theme-agnostic setup can be configured thus:

(defvar after-enable-theme-hook nil
   "Normal hook run after enabling a theme.")

(defun run-after-enable-theme-hook (&rest _args)
   "Run `after-enable-theme-hook'."
   (run-hooks 'after-enable-theme-hook))

(advice-add 'enable-theme :after #'run-after-enable-theme-hook)

This creates the after-enable-theme-hook and makes it run after each call to enable-theme, which means that it will work for all themes and also has the benefit that it does not depend on functions such as modus-themes-toggle and the others mentioned above. enable-theme is called internally by load-theme, so the hook works everywhere.

Now this specific piece of Elisp may be simple for experienced users, but it is not easy to read for newcomers, including the author of the Modus themes for the first several months of their time as an Emacs user. Hence our hesitation to recommend it as part of the standard setup of the Modus themes (it is generally a good idea to understand what the implications are of advising a function).

Face coverage

The Modus themes try to provide as close to full face coverage as possible. This is necessary to ensure a consistently accessible reading experience across all available interfaces.

Full support for packages or face groups

This list will always be updated to reflect the current state of the project. The idea is to offer an overview of the known status of all affected face groups. The items with an appended asterisk * tend to have lots of extensions, so the "full support" may not be 100% true…

• ace-window
• ag
• alert
• all-the-icons
• annotate
• anzu
• apropos
• apt-sources-list
• artbollocks-mode
• auctex and TeX
• auto-dim-other-buffers
• avy
• awesome-tray
• bbdb
• binder
• bm
• bongo
• boon
• bookmark
• breakpoint (provided by the built-in

  gdb-mi.el

  library)
• buffer-expose
• calendar and diary
• calfw
• centaur-tabs
• cfrs
• change-log and log-view (such as vc-print-log, vc-print-root-log)
• cider
• circe
• color-rg
• column-enforce-mode
• company-mode*
• company-posframe
• compilation-mode
• completions
• consult
• corfu
• counsel*
• counsel-css
• counsel-org-capture-string
• cov
• cperl-mode
• csv-mode
• ctrlf
• custom (what you get with

  M-x customize

  )
• dap-mode
• dashboard (emacs-dashboard)
• deadgrep
• debbugs
• define-word
• deft
• dictionary
• diff-hl
• diff-mode
• dim-autoload
• dir-treeview
• dired
• dired-async
• dired-git
• dired-git-info
• dired-narrow
• dired-subtree
• diredc
• diredfl
• diredp (dired+)
• disk-usage
• display-fill-column-indicator-mode
• doom-modeline
• dynamic-ruler
• easy-jekyll
• easy-kill
• ebdb
• ediff
• eglot
• el-search
• eldoc-box
• elfeed
• elfeed-score
• embark
• emms
• enh-ruby-mode (enhanced-ruby-mode)
• epa
• equake
• erc
• eros
• ert
• eshell
• eshell-fringe-status
• eshell-git-prompt
• eshell-prompt-extras (epe)
• eshell-syntax-highlighting
• evil* (evil-mode)
• evil-goggles
• evil-snipe
• evil-visual-mark-mode
• eww
• exwm
• eyebrowse
• fancy-dabbrev
• flycheck
• flycheck-color-mode-line
• flycheck-indicator
• flycheck-posframe
• flymake
• flyspell
• flyspell-correct
• flx
• freeze-it
• frog-menu
• focus
• fold-this
• font-lock (generic syntax highlighting)
• forge
• fountain (fountain-mode)
• geiser
• git-commit
• git-gutter (and variants)
• git-lens
• git-rebase
• git-timemachine
• git-walktree
• gnus
• golden-ratio-scroll-screen
• helm*
• helm-ls-git
• helm-switch-shell
• helm-xref
• helpful
• highlight-blocks
• highlight-defined
• highlight-escape-sequences (hes-mode)
• highlight-indentation
• highlight-numbers
• highlight-symbol
• highlight-tail
• highlight-thing
• hl-defined
• hl-fill-column
• hl-line-mode
• hl-todo
• hydra
• hyperlist
• ibuffer
• icomplete
• icomplete-vertical
• ido-mode
• iedit
• iflipb
• imenu-list
• indium
• info
• info-colors
• interaction-log
• ioccur
• isearch, occur, etc.
• isl (isearch-light)
• ivy*
• ivy-posframe
• jira (org-jira)
• journalctl-mode
• js2-mode
• julia
• jupyter
• kaocha-runner
• keycast
• line numbers (display-line-numbers-mode and global variant)
• lsp-mode
• lsp-ui
• macrostep
• magit
• magit-imerge
• make-mode
• man
• marginalia
• markdown-mode
• markup-faces (adoc-mode)
• mentor
• messages
• minibuffer-line
• minimap
• mmm-mode
• mode-line
• mood-line
• moody
• mpdel
• mu4e
• mu4e-conversation
• multiple-cursors
• neotree
• no-emoji
• notmuch
• num3-mode
• nxml-mode
• objed
• orderless
• org*
• org-journal
• org-noter
• org-pomodoro
• org-recur
• org-roam
• org-superstar
• org-table-sticky-header
• org-tree-slide
• org-treescope
• origami
• outline-mode
• outline-minor-faces
• package (what you get with

  M-x list-packages

  )
• page-break-lines
• pandoc-mode
• paradox
• paren-face
• parrot
• pass
• pdf-tools
• persp-mode
• perspective
• phi-grep
• phi-search
• pkgbuild-mode
• pomidor
• popup
• powerline
• powerline-evil
• prism (Note for prism.el)
• proced
• prodigy
• quick-peek
• racket-mode
• rainbow-blocks
• rainbow-identifiers
• rainbow-delimiters
• rcirc
• recursion-indicator
• regexp-builder (also known as re-builder)
• rg (rg.el)
• ripgrep
• rmail
• ruler-mode
• sallet
• selectrum
• selectrum-prescient
• semantic
• sesman
• shell-script-mode
• shortdoc
• show-paren-mode
• shr
• side-notes
• sieve-mode
• skewer-mode
• smart-mode-line
• smartparens
• smerge
• solaire
• spaceline
• speedbar
• spell-fu
• spray
• stripes
• suggest
• switch-window
• swiper
• swoop
• sx
• symbol-overlay
• syslog-mode
• tab-bar-groups
• tab-bar-mode
• tab-line-mode
• table (built-in table.el)
• telega
• telephone-line
• terraform-mode
• term
• tomatinho
• transient (pop-up windows such as Magit's)
• trashed
• treemacs
• tty-menu
• tuareg
• typescript
• undo-tree
• vc (vc-dir.el, vc-hooks.el)
• vc-annotate (the output of

  C-x v g

  )
• vdiff
• vertico
• vimish-fold
• visible-mark
• visual-regexp
• volatile-highlights
• vterm
• wcheck-mode
• web-mode
• wgrep
• which-function-mode
• which-key
• whitespace-mode
• window-divider-mode
• winum
• writegood-mode
• woman
• xah-elisp-mode
• xref
• xterm-color (and ansi-colors)
• yaml-mode
• yasnippet
• ztree

Plus many other miscellaneous faces that are provided by the upstream GNU Emacs distribution.

Indirectly covered packages

These do not require any extra styles because they are configured to inherit from some basic faces or their dependencies which are directly supported by the themes.

• counsel-notmuch
• edit-indirect
• evil-owl
• fortran-mode
• goggles
• i3wm-config-mode
• perl-mode
• php-mode
• rjsx-mode
• swift-mode
• tab-bar-echo-area

Notes on individual packages

This section covers information that may be of interest to users of individual packages.

Note on inline Latex in Org buffers

Org can work with inline latex and related syntax. To actually fontify those constructs, set the variable org-highlight-latex-and-related to the desired list of values (per its doc string). For example:

(setq org-highlight-latex-and-related '(latex script))

Remember to use

M-x org-mode-restart

for changes to take effect.

Note on dimmer.el

The

dimmer.el

library by Neil Okamoto can be configured to automatically dim the colors of inactive Emacs windows. To guarantee consistent results with the Modus themes, we suggest some tweaks to the default styles, such as in this minimal setup:

(use-package dimmer
  :config
  (setq dimmer-fraction 0.3)
  (setq dimmer-adjustment-mode :foreground)
  (setq dimmer-use-colorspace :rgb)

  (dimmer-mode 1))

Of the above, we strongly recommend the RGB color space because it is the one that remains faithful to the hueness of the colors used by the themes. Whereas the default CIELAB space has a tendency to distort colors in addition to applying the dim effect, which can be somewhat disorienting.

The value of the dimmer-fraction has been selected empirically. Users might prefer to tweak it further (increasing it makes the dim effect more pronounced).

Changing the dimmer-adjustment-mode is a matter of preference. Though because the Modus themes use black and white as their base colors, any other value for that variable will turn the main background gray. This inadvertently leads to the opposite of the intended utility of this package: it draws too much attention to unfocused windows.

Note on display-fill-column-indicator-mode

While designing the style for display-fill-column-indicator-mode, we stayed close to the mode's defaults: to apply a subtle foreground color to the fill-column-indicator face, which blends well with the rest of theme and is consistent with the role of that mode. This is to not upset the expectations of users.

Nevertheless, display-fill-column-indicator-mode has some known limitations pertaining to its choice of using typographic characters to draw its indicator. What should be a continuous vertical line might appear as a series of dashes in certain contexts or under specific conditions: a non-default value for line-spacing, scaled and/or variable-pitch headings have been observed to cause this effect.

Given that we cannot control such factors, it may be better for affected users to deviate from the default style of the fill-column-indicator face. Instead of setting a foreground color, one could use a background and have the foreground be indistinguishable from it. For example:

(modus-themes-with-colors
  (custom-set-faces
   `(fill-column-indicator ((,class :background ,bg-inactive
                                    :foreground ,bg-inactive)))))

Face specs at scale using the themes' palette.

Note on mmm-mode.el background colors

The faces used by

mmm-mode.el

are expected to have a colorful background, while they should not touch any foreground value. The idea is that they must not interfere with existing fontification. Those background colors need to be distinct from each other, such as an unambiguous red juxtaposed with a clear blue.

While this design may be internally consistent with the raison d'être of that library, it inevitably produces inaccessible color combinations.

There are two competing goals at play:

1. Legibility of the text, understood as the contrast ratio between the background and the foreground.
2. Semantic precision of each face which entails faithfulness to color-coding of the underlying background.

As the Modus themes are designed with the express purpose of conforming with the first point, we have to forgo the apparent color-coding of the background elements. Instead we use subtle colors that do not undermine the legibility of the affected text while they still offer a sense of added context.

Users who might prefer to fall below the minimum 7:1 contrast ratio in relative luminance (the accessibility target we conform with), can opt to configure the relevant faces on their own.

Face specs at scale using the themes' palette.

This example uses more vivid background colors, though it comes at the very high cost of degraded legibility.

(modus-themes-with-colors
  (custom-set-faces
   `(mmm-cleanup-submode-face ((,class :background ,yellow-refine-bg)))
   `(mmm-code-submode-face ((,class :background ,bg-active)))
   `(mmm-comment-submode-face ((,class :background ,blue-refine-bg)))
   `(mmm-declaration-submode-face ((,class :background ,cyan-refine-bg)))
   `(mmm-default-submode-face ((,class :background ,bg-alt)))
   `(mmm-init-submode-face ((,class :background ,magenta-refine-bg)))
   `(mmm-output-submode-face ((,class :background ,red-refine-bg)))
   `(mmm-special-submode-face ((,class :background ,green-refine-bg)))))

Note on prism.el

This package by Adam Porter, aka "alphapapa" or "github-alphapapa", implements an alternative to the typical coloration of code. Instead of highlighting the syntactic constructs, it applies color to different levels of depth in the code structure.

As

prism.el

offers a broad range of customisations, we cannot style it directly at the theme level: that would run contrary to the spirit of the package. Instead, we may offer preset color schemes. Those should offer a starting point for users to adapt to their needs.

In the following code snippets, we employ the modus-themes-with-colors macro: Face specs at scale using the themes' palette.

These are the minimum recommended settings with 16 colors:

(setq prism-num-faces 16)

(prism-set-colors
  :desaturations '(0) ; do not change---may lower the contrast ratio
  :lightens '(0)      ; same
  :colors (modus-themes-with-colors
            (list fg-main
                  magenta
                  cyan-alt-other
                  magenta-alt-other
                  blue
                  magenta-alt
                  cyan-alt
                  red-alt-other
                  green
                  fg-main
                  cyan
                  yellow
                  blue-alt
                  red-alt
                  green-alt-other
                  fg-special-warm)))

With 8 colors:

(setq prism-num-faces 8)

(prism-set-colors
  :desaturations '(0) ; do not change---may lower the contrast ratio
  :lightens '(0)      ; same
  :colors (modus-themes-with-colors
            (list fg-special-cold
                  magenta
                  magenta-alt-other
                  cyan-alt-other
                  fg-main
                  blue-alt
                  red-alt-other
                  cyan)))

And this is with 4 colors, which produces results that are the closest to the themes' default aesthetic:

(setq prism-num-faces 4)

(prism-set-colors
  :desaturations '(0) ; do not change---may lower the contrast ratio
  :lightens '(0)      ; same
  :colors (modus-themes-with-colors
            (list fg-main
                  cyan-alt-other
                  magenta-alt-other
                  magenta)))

If you need to apply desaturation and lightening, you can use what the

prism.el

documentation recommends, like this (adapting to the examples with the 4, 8, 16 colors):

(prism-set-colors
  :desaturations (cl-loop for i from 0 below 16 collect (* i 2.5))
  :lightens (cl-loop for i from 0 below 16 collect (* i 2.5))
  :colors (modus-themes-with-colors
            (list fg-main
                  cyan-alt-other
                  magenta-alt-other
                  magenta)))

Note on god-mode.el

The god-mode library does not provide faces that could be configured by the Modus themes. Users who would like to get some visual feedback on the status of

M-x god-mode

are instead encouraged by upstream to set up their own configurations, such as by changing the mode-line face (Advanced customization (do-it-yourself)). This is an adaptation of the approach followed in the upstream README:

(defun my-god-mode-update-mode-line ()
  "Make `mode-line' blue if God local mode is active."
  (modus-themes-with-colors
    (if god-local-mode
        (set-face-attribute 'mode-line nil
                            :foreground blue-active
                            :background bg-active-accent
                            :box blue)
      (set-face-attribute 'mode-line nil
                          :foreground fg-active
                          :background bg-active
                          :box fg-alt))))

(add-hook 'post-command-hook 'my-god-mode-update-mode-line)

We employ the modus-themes-with-colors which provides access to color variables defined by the active theme. Its use is covered elsewhere in this manual (Face specs at scale using the themes' palette). As for the attributes that can be passed to each face, start by consulting the documentation string of set-face-attribute.

Note on company-mode overlay pop-up

By default, the company-mode pop-up that lists completion candidates is drawn using an overlay. This creates alignment issues every time it is placed above a piece of text that has a different height than the default.

The solution recommended by the project's maintainer is to use an alternative front-end for drawing the pop-up which draws child frames instead of overlays.[fn:: https://github.com/company-mode/company-mode/issues/1010][fn:: https://github.com/tumashu/company-posframe/]

Note on ERC escaped color sequences

The built-in IRC client erc has the ability to colorise any text using escape sequences that start with ^C (inserted with

C-q C-c

) and are followed by a number for the foreground and background.[fn:: This page explains the basics, though it is not specific to Emacs: https://www.mirc.com/colors.html] Possible numbers are 0-15, with the first entry being the foreground and the second the background, separated by a comma. Like this ^C1,6. The minimum setup is this:

(add-to-list 'erc-modules 'irccontrols)
(setq erc-interpret-controls-p t
      erc-interpret-mirc-color t)

As this allows users the chance to make arbitrary combinations, it is impossible to guarantee a consistently high contrast ratio. All we can we do is provide guidance on the combinations that satisfy the accessibility standard of the themes:

Modus Operandi

Use foreground color 1 for all backgrounds from 2-15. Like so:

C-q C-c1

where N is the background.

Modus Vivendi

Use foreground color 0 for all backgrounds from 2-13. Use foreground 1 for backgrounds 14, 15.

Colors 0 and 1 are white and black respectively. So combine them together, if you must.

Note on powerline or spaceline

Both Powerline and Spaceline package users will likely need to use the command powerline-reset whenever they make changes to their themes and/or mode line setup.

Note on SHR colors

Emacs' HTML rendering library (

shr.el

) may need explicit configuration to respect the theme's colors instead of whatever specifications the webpage provides.

Consult

C-h v shr-use-colors

.

Note on EWW and Elfeed fonts (SHR fonts)

EWW and Elfeed rely on the Simple HTML Renderer to display their content. The

shr.el

library contains the variable shr-use-fonts that controls whether the text in the buffer is set to a variable-pitch typeface (proportionately spaced) or if just retains whatever the default font family is. Its default value is non-nil, which means that variable-pitch is applied.

Font configurations for Org and others.

Note on Helm grep

There is one face from the Helm package that is meant to highlight the matches of a grep or grep-like command (ag or ripgrep). It is helm-grep-match. However, this face can only apply when the user does not pass --color=always as a command-line option for their command.

Here is the docstring for that face, which is defined in the

helm-grep.el

library (you can always visit the source code with

M-x find-library

).

Face used to highlight grep matches. Have no effect when grep backend use "–color="

The user must either remove --color from the flags passed to the grep function, or explicitly use --color=never (or equivalent). Helm provides user-facing customization options for controlling the grep function's parameters, such as helm-grep-default-command and helm-grep-git-grep-command.

When --color=always is in effect, the grep output will use red text in bold letter forms to present the matching part in the list of candidates. That style still meets the contrast ratio target of >= 7:1 (accessibility standard WCAG AAA), because it draws the reference to ANSI color number 1 (red) from the already-supported array of ansi-color-names-vector.

Note on vc-annotate-background-mode

Due to the unique way vc-annotate (

C-x v g

) applies colors, support for its background mode (vc-annotate-background-mode) is disabled at the theme level.

Normally, such a drastic measure should not belong in a theme: assuming the user's preferences is bad practice. However, it has been deemed necessary in the interest of preserving color contrast accessibility while still supporting a useful built-in tool.

If there actually is a way to avoid such a course of action, without prejudice to the accessibility standard of this project, then please report as much or send patches (Contributing).

Note on pdf-tools link hints

Hints are drawn by ImageMagick, not Emacs, i.e., ImageMagick doesn't know about the hint face unless you tell ImageMagick about it. By default, only the foreground and background color attributes are passed. The below snippet adds to those the various font attributes. As it queries various faces, specifically pdf-links-read-link and the faces it inherits, it needs to be added to your initialization file after you've customized any faces.

(use-package pdf-links
  :config
  (let ((spec
         (apply #'append
                (mapcar
                 (lambda (name)
                   (list name
                         (face-attribute 'pdf-links-read-link
                                         name nil 'default)))
                 '(:family :width :weight :slant)))))
    (setq pdf-links-read-link-convert-commands
          `("-density"    "96"
            "-family"     ,(plist-get spec :family)
            "-stretch"    ,(let* ((width (plist-get spec :width))
                                  (name (symbol-name width)))
                             (replace-regexp-in-string "-" ""
                                                       (capitalize name)))
            "-weight"     ,(pcase (plist-get spec :weight)
                             ('ultra-light "Thin")
                             ('extra-light "ExtraLight")
                             ('light       "Light")
                             ('semi-bold   "SemiBold")
                             ('bold        "Bold")
                             ('extra-bold  "ExtraBold")
                             ('ultra-bold  "Black")
                             (_weight      "Normal"))
            "-style"      ,(pcase (plist-get spec :slant)
                             ('italic  "Italic")
                             ('oblique "Oblique")
                             (_slant   "Normal"))
            "-pointsize"  "%P"
            "-undercolor" "%f"
            "-fill"       "%b"
            "-draw"       "text %X,%Y '%c'"))))

Frequently Asked Questions (FAQ)

In this section we provide answers related to some aspects of the Modus themes' design and application.

Is the contrast ratio about adjacent colors?

The minimum contrast ratio in relative luminance that the themes conform with always refers to any given combination of background and foreground colors. If we have some blue colored text next to a magenta one, both against a white background, we do not mean to imply that blue:magenta is 7:1 in terms of relative luminance. Rather, we state that blue:white and magenta:white each are 7:1 or higher.

The point of reference is always the background. Because colors have about the same minimum distance in luminance from their backdrop, they necessarily are fairly close to each other in this measure. A possible blue:magenta combination would naturally be around 1:1 in contrast of the sort here considered.

To differentiate between sequential colors, we rely on hueness by mapping contrasting hues to adjacent constructs, while avoiding exaggerations. A blue next to a magenta can be told apart regardless of their respective contrast ratio against their common background. Exceptions would be tiny characters in arguably not so realistic cases, such as two dots drawn side-by-side which for some reason would need to be colored differently. They would still be legible though, which is the primary objective of the Modus themes.

What does it mean to avoid exaggerations?

The Modus themes are designed with restraint, so that their default looks do not overdo it with the application of color.

Customization Options.

This is the non-quantifiable aspect of the themes' design: the artistic part, if you will. There are a lot of cases where color can be used inconsiderately, without accounting for layout, typographic, or other properties of the presentation. For example, two headings with distinct markers, such as leading asterisks in Org buffers, do not have to have highly contrasting hues between them in order to be told apart: the added element of contrast in hueness does not contribute significantly more to the distinction between the headings than colors whose hues are relatively closer to each other in the color space.

Exaggerations can be hard to anticipate or identify. Multiple shades of blue and magenta in the same context may not seem optimal: one might think that it would be better to use highly contrasting hues to ensure that all colors stand out, such as by placing blue next to yellow, next to magenta, and green. That would, however, be a case of design for its own sake; a case where color is being applied without consideration of its end results in the given context. Too many contrasting hues in close proximity force an erratic rate to how the eye jumps from one piece of text to the next. Whereas multiple shades of, say, blue and magenta can suffice to tell things apart and avoid excess coloration: a harmonious rhythm.

Why are colors mostly variants of blue, magenta, cyan?

Due to the innate properties of color, some options are better than others for the accessibility purposes of the themes, the stylistic consistency between modus-operandi and modus-vivendi, and the avoidance of exaggerations in design.

What does it mean to avoid exaggerations?

What we describe as color is a function of three distinct channels of light: red, green, blue. In hexadecimal RGB notation, a color value is read as three pairs of red, green, and blue light: #RRGGBB. Of those three, the most luminant is green, while the least luminant is blue.

The three basic colors represent each of the channels of light. They can be intermixed to give us six colors: red and green derive yellow, green and blue make cyan, red and blue turn into magenta.

We can test the luminance of each of those against white and black to get a sense of how not all colors are equally good for accessibility (white is #ffffff, which means that all three light channels are fully luminated, while black is #000000 meaning that no light is present (notwithstanding display technology)).

| Name    |         | #ffffff | #000000 |
|---------+---------+---------+---------|
| red     | #ff0000 |    4.00 |    5.25 |
| yellow  | #ffff00 |    1.07 |   19.56 |
| green   | #00ff00 |    1.37 |   15.30 |
| cyan    | #00ffff |    1.25 |   16.75 |
| blue    | #0000ff |    8.59 |    2.44 |
| magenta | #ff00ff |    3.14 |    6.70 |

Measure color contrast.

By reading this table we learn that every color that has a high level of green light (green, yellow, cyan) is virtually unreadable against a white background and, conversely, can be easily read against black.

We can then infer that red and blue, in different combinations, with green acting as calibrator for luminance, will give us fairly moderate colors that pass the 7:1 target. Blue with a bit of green produce appropriate variants of cyan. Similarly, blue combined with some red and hints of green give us suitable shades of purple.

Due to the need of maintaining some difference in hueness between adjacent colors, it is not possible to make red, green, and yellow the primary colors, because blue could not be used to control their luminance and, thus the relevant space would shrink considerably.

Is the contrast ratio about adjacent colors?

This phenomenon is best illustrated by the following table that measures the relative luminance of shades of red, yellow, magenta against white:

|         | #ffffff |
|---------+---------|
| #990000 |    8.92 |
| #995500 |    5.75 |
| #990099 |    7.46 |

We notice that equal values of red and blue light in #990099 (magenta shade) do not lead to a considerable change in luminance compared with #990000 (red variant). Whereas less amount of green light in #995500 leads to a major drop in luminance relative to white. It follows that using the green channel of light to calibrate the luminance of colors is more effective than trying to do the same with either red or blue (the latter is the least effective in that regard).

When we need to work with several colors, it is always better to have sufficient manoeuvring space, especially since we cannot pick arbitrary colors but only those that satisfy the accessibility objectives of the themes.

As for why we do not mostly use green, yellow, cyan for the dark theme, it is because those colors are far more luminant than their counterparts on the other side of the spectrum, so to ensure that they all have about the same contrast ratios we would have to alter their hueness considerably. In short, the effect would not be optimal as it would lead to exaggerations. Plus, it would make modus-vivendi look completely different than modus-operandi, to the effect that the two could not be properly considered part of the same project.

What is the best setup for legibility?

The Modus themes can be conceptually simplified as combinations of color values that account for relative luminance and inner harmony. Those qualities do not guarantee that every end-user will have the same experience, due to differences between people, but also because of variances in hardware capabilities and configurations. For the purposes of this document, we may only provide suggestions pertaining to the latter case.

modus-operandi is best used outdoors or in a room that either gets direct sunlight or has plenty of light. Whereas modus-vivendi works better when there is not a lot of sunshine or the room has a source of light, preferably a faint or warm one. It is possible to use modus-operandi at night and modus-vivendi during the day, though that will depend on several variables, such as one's overall perception of color, the paint on the walls and how that contributes to the impression of lightness in the room, the sense of space within the eye's peripheral vision, hardware specifications, and environmental factors.

In general, an additional source of light other than that of the monitor can help reduce eye strain: the eyes are more relaxed when they do not have to focus on one point to gather light.

The monitor's display settings must be accounted for. Gamma ray values, in particular, need to be calibrated to neither amplify nor distort the perception of black. Same principle for sharpness, brightness, and contrast as determined by the hardware, which all have an effect on how text is read on the screen.

There are software level methods on offer, such as the XrandR utility for the X Window System (X.org), which can make gamma corrections for each of the three channels of light (red, green, blue). For example:

xrandr --output LVDS1 --brightness 1.0 --gamma 0.76:0.75:0.68

Typography is another variable. Some font families are blurry at small point sizes. Others may have a regular weight that is lighter (thiner) than that of their peers which may, under certain circumstances, cause a halo effect around each glyph.

The gist is that legibility cannot be fully solved at the theme level. The color combinations may have been optimized for accessibility, though the remaining contributing factors in each case need to be considered in full.

Contributing

This section documents the canonical sources of the themes and the ways in which you can contribute to their ongoing development.

Sources of the themes

The modus-operandi and modus-vivendi themes are built into Emacs. Currently they are in Emacs' git main branch (trunk), which is tracking the next development release target.

The source code of the themes is available on Gitlab, for the time being. A mirror on Github is also on offer.

An HTML version of this manual is provided as an extension of the author's personal website (does not rely on any non-free code).

Issues you can help with

A few tasks you can help with:

• Suggest refinements to packages that are covered.
• Report packages not covered thus far.
• Report bugs, inconsistencies, shortcomings.
• Help expand the documentation of covered-but-not-styled packages.
• Suggest refinements to the color palette.
• Help expand this document or any other piece of documentation.
• Merge requests for code refinements.

Patches require copyright assignment to the FSF.

It is preferable that your feedback includes some screenshots, GIFs, or short videos, as well as further instructions to reproduce a given setup. Though this is not a requirement.

Whatever you do, bear in mind the overarching objective of the Modus themes: to keep a contrast ratio that is greater or equal to 7:1 between background and foreground colors. If a compromise is ever necessary between aesthetics and accessibility, it shall always be made in the interest of the latter.

Patches require copyright assignment to the FSF

Code contributions are most welcome. For any major edit (more than 15 lines, or so, in aggregate per person), you need to make a copyright assignment to the Free Software Foundation. This is necessary because the themes are part of the upstream Emacs distribution: the FSF must at all times be in a position to enforce the GNU General Public License.

Copyright assignment is a simple process. Check the request form below (please adapt it accordingly). You must write an email to the address mentioned in the form and then wait for the FSF to send you a legal agreement. Sign the document and file it back to them. This could all happen via email and take about a week. You are encouraged to go through this process. You only need to do it once. It will allow you to make contributions to Emacs in general.

Please email the following information to assign@gnu.org, and we
will send you the assignment form for your past and future changes.

Please use your full legal name (in ASCII characters) as the subject
line of the message.
----------------------------------------------------------------------
REQUEST: SEND FORM FOR PAST AND FUTURE CHANGES

[What is the name of the program or package you're contributing to?]

GNU Emacs

[Did you copy any files or text written by someone else in these changes?
Even if that material is free software, we need to know about it.]

Copied a few snippets from the same files I edited.  Their author,
Protesilaos Stavrou, has already assigned copyright to the Free Software
Foundation.

[Do you have an employer who might have a basis to claim to own
your changes?  Do you attend a school which might make such a claim?]


[For the copyright registration, what country are you a citizen of?]


[What year were you born?]


[Please write your email address here.]


[Please write your postal address here.]





[Which files have you changed so far, and which new files have you written
so far?]

Acknowledgements

The Modus themes are a collective effort. Every bit of work matters.

Author/maintainer

Protesilaos Stavrou.

Contributions to code or documentation

Anders Johansson, Basil L.

@@texinfo:@:

Contovounesios, Carlo Zancanaro, Eli Zaretskii, Fritz Grabo, Kostadin Ninev, Madhavan Krishnan, Markus Beppler, Matthew Stevenson, Mauro Aranda, Nicolas De Jaeghere, Rudolf Adamkovič, Shreyas Ragavan, Stefan Kangas, Vincent Murphy, Xinglu Chen.

Ideas and user feedback

Aaron Jensen, Adam Spiers, Adrian Manea, Alex Griffin, Alex Peitsinis, Alexey Shmalko, Alok Singh, Anders Johansson, André Alexandre Gomes, Arif Rezai, Basil L.

@@texinfo:@:

Contovounesios, Burgess Chang, Christian Tietze, Christopher Dimech, Damien Cassou, Daniel Mendler, Dario Gjorgjevski, David Edmondson, Davor Rotim, Divan Santana, Emanuele Michele Alberto Monterosso, Farasha Euker, Gerry Agbobada, Gianluca Recchia, Gustavo Barros, Hörmetjan Yiltiz, Ilja Kocken, Iris Garcia, Jeremy Friesen, John Haman, Joshua O'Connor, Kevin Fleming, Kévin Le Gouguec, Kostadin Ninev, Len Trigg, Manuel Uberti, Mark Burton, Markus Beppler, Mauro Aranda, Michael Goldenberg, Morgan Smith, Murilo Pereira, Nicky van Foreest, Nicolas De Jaeghere, Paul Poloskov, Pete Kazmier, Peter Wu, Philip K., Pierre Téchoueyres, Roman Rudakov, Ryan Phillips, Rudolf Adamkovič, Sam Kleinman, Shreyas Ragavan, Simon Pugnet, Tassilo Horn, Thibaut Verron, Trey Merkley, Togan Muftuoglu, Toon Claes, Uri Sharf, Utkarsh Singh, Vincent Foley. As well as users: Ben, CsBigDataHub1, Emacs Contrib, Eugene, Fourchaux, Fredrik, Moesasji, Nick, TheBlob42, Trey, bepolymathe, doolio, fleimgruber, iSeeU, jixiuf, okamsn, pRot0ta1p.

Packaging

Basil L.

@@texinfo:@:

Contovounesios, Eli Zaretskii, Glenn Morris, Mauro Aranda, Richard Stallman, Stefan Kangas (core Emacs), Stefan Monnier (GNU Elpa), André Alexandre Gomes, Dimakakos Dimos, Morgan Smith, Nicolas Goaziou (Guix), Dhavan Vaidya (Debian).

Inspiration for certain features

Bozhidar Batsov (zenburn-theme), Fabrice Niessen (leuven-theme).

Special thanks, in no particular order, to Manuel Uberti and Omar Antolín Camarena for their long time contributions and insightful commentary.

Meta

If you are curious about the principles that govern the development of this project read the essay On the design of the Modus themes (2020-03-17).

Here are some more publications for those interested in the kind of work that goes into this project (sometimes the commits also include details of this sort):

• Modus Operandi theme subtle palette review (2020-05-10)
• Modus Vivendi theme subtle palette review (2020-06-13)
• Modus themes: new "faint syntax" option (2020-07-04)
• Modus themes: major review of "nuanced" colours (2020-07-08)
• Modus themes: review of blue colours (2020-09-14)
• Modus themes: review rainbow-delimiters faces (2020-12-27)
• Modus themes: review of select "faint" colours (2021-01-11)
• The Modus themes now cover deuteranopia in diffs (2021-02-25)

And here are the canonical sources of this project's documentation:

Manual

<https://protesilaos.com/modus-themes>

Change Log

<https://protesilaos.com/modus-themes-changelog>

Screenshots

<https://protesilaos.com/modus-themes-pictures>

GNU Free Documentation License

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